The heathen in his blindness bows
down to wood and stone; especially to a wood-cut or
a lithographic stone. Modern people put their
trust in pictures, especially scientific pictures,
as much as the most superstitious ever put it in religious
pictures. They publish a portrait of the Missing
Link as if he were the Missing Man, for whom the police
are always advertising; for all the world as if the
anthropoid had been photographed before he absconded.
The scientific diagram may be a hypothesis; it may
be a fancy; it may be a forgery. But it is always
an idol in the true sense of an image; and an image
in the true sense of a thing mastering the imagination
and not the reason. The power of these talismanic
pictures is almost hypnotic to modern humanity.
We can never forget that we have seen a portrait of
the Missing Link; though we should instantly detect
the lapse of logic into superstition, if we were told
that the old Greek agnostics had made a statue of the
Unknown God. But there is a still stranger fashion
in which we fall victims to the same trick of fancy.
We accept in a blind and literal spirit, not only
images of speculation, but even figures of speech.
The nineteenth century prided itself on having lost
its faith in myths, and proceeded to put all its faith
in metaphors. It dismissed the old doctrines about
the way of life and the light of the world; and then
it proceeded to talk as if the light of truth were
really and literally a light, that could be absorbed
by merely opening our eyes; or as if the path of progress
were really and truly a path, to be found by merely
following our noses. Thus the purpose of God
is an idea, true or false; but the purpose of Nature
is merely a metaphor; for obviously if there is no
God there is no purpose. Yet while men, by an
imaginative instinct, spoke of the purpose of God
with a grand agnosticism, as something too large to
be seen, something reaching out to worlds and to eternities,
they speak of the purpose of Nature in particular
and practical problems of curing babies or cutting
up rabbits. This power of the modern metaphor
must be understood, by way of an introduction, if
we are to understand one of the chief errors, at once
evasive and pervasive, which perplex the problem of
America.
America is always spoken of as a young
nation; and whether or no this be a valuable and suggestive
metaphor, very few people notice that it is a metaphor
at all. If somebody said that a certain deserving
charity had just gone into trousers, we should recognise
that it was a figure of speech, and perhaps a rather
surprising figure of speech. If somebody said
that a daily paper had recently put its hair up, we
should know it could only be a metaphor, and possibly
a rather strained metaphor. Yet these phrases
would mean the only thing that can possibly be meant
by calling a corporate association of all sorts of
people ‘young’; that is, that a certain
institution has only existed for a certain time.
I am not now denying that such a corporate nationality
may happen to have a psychology comparatively analogous
to the psychology of youth. I am not even denying
that America has it. I am only pointing out, to
begin with, that we must free ourselves from the talismanic
tyranny of a metaphor which we do not recognise as
a metaphor. Men realised that the old mystical
doctrines were mystical; they do not realise that the
new metaphors are metaphorical. They have some
sort of hazy notion that American society must be
growing, must be promising, must have the virtues
of hope or the faults of ignorance, merely because
it has only had a separate existence since the eighteenth
century. And that is exactly like saying that
a new chapel must be growing taller, or that a limited
liability company will soon have its second teeth.
Now in truth this particular conception
of American hopefulness would be anything but hopeful
for America. If the argument really were, as it
is still vaguely supposed to be, that America must
have a long life before it, because it only started
in the eighteenth century, we should find a very fatal
answer by looking at the other political systems that
did start in the eighteenth century. The eighteenth
century was called the Age of Reason; and there is
a very real sense in which the other systems were
indeed started in a spirit of reason. But starting
from reason has not saved them from ruin. If
we survey the Europe of to-day with real clarity and
historic comprehension, we shall see that it is precisely
the most recent and the most rationalistic creations
that have been ruined. The two great States which
did most definitely and emphatically deserve to be
called modern states were Prussia and Russia.
There was no real Prussia before Frederick the Great;
no real Russian Empire before Peter the Great.
Both those innovators recognised themselves as rationalists
bringing a new reason and order into an indeterminate
barbarism; and doing for the barbarians what the barbarians
could not do for themselves. They did not, like
the kings of England or France or Spain or Scotland,
inherit a sceptre that was the symbol of a historic
and patriotic people. In this sense there was
no Russia but only an Emperor of Russia. In this
sense Prussia was a kingdom before it was a nation;
if it ever was a nation. But anyhow both men were
particularly modern in their whole mood and mind.
They were modern to the extent of being not only anti-traditional,
but almost anti-patriotic. Peter forced the science
of the West on Russia to the regret of many Russians.
Frederick talked the French of Voltaire and not the
German of Luther. The two experiments were entirely
in the spirit of Voltairean rationalism; they were
built in broad daylight by men who believed in nothing
but the light of common day; and already their day
is done.
If then the promise of America were
in the fact that she is one of the latest births of
progress, we should point out that it is exactly the
latest born that were the first to die. If in
this sense she is praised as young, it may be answered
that the young have died young, and have not lived
to be old. And if this be confused with the argument
that she came in an age of clarity and scepticism,
uncontaminated by old superstitions, it could still
be retorted that the works of superstition have survived
the works of scepticism. But the truth is, of
course, that the real quality of America is much more
subtle and complex than this; and is mixed not only
of good and bad, and rational and mystical, but also
of old and new. That is what makes the task of
tracing the true proportions of American life so interesting
and so impossible.
To begin with, such a metaphor is
always as distracting as a mixed metaphor. It
is a double-edged tool that cuts both ways; and consequently
opposite ways. We use the same word ‘young’
to mean two opposite extremes. We mean something
at an early stage of growth, and also something having
the latest fruits of growth. We might call a
commonwealth young if it conducted all its daily conversation
by wireless telegraphy; meaning that it was progressive.
But we might also call it young if it conducted all
its industry with chipped flints; meaning that it
was primitive. These two meanings of youth are
hopelessly mixed up when the word is applied to America.
But what is more curious, the two elements really
are wildly entangled in America. America is in
some ways what is called in advance of the times, and
in some ways what is called behind the times; but
it seems a little confusing to convey both notions
by the same word.
On the one hand, Americans often are
successful in the last inventions. And for that
very reason they are often neglectful of the last but
one. It is true of men in general, dealing with
things in general, that while they are progressing
in one thing, such as science, they are going back
in another thing, such as art. What is less fully
realised is that this is true even as between different
methods of science. The perfection of wireless
telegraphy might well be followed by the gross imperfection
of wires. The very enthusiasm of American science
brings this out very vividly. The telephone in
New York works miracles all day long. Replies
from remote places come as promptly as in a private
talk; nobody cuts anybody off; nobody says, ‘Sorry
you’ve been troubled.’ But then the
postal service of New York does not work at all.
At least I could never discover it working. Letters
lingered in it for days and days, as in some wild
village of the Pyrénées. When I asked a taxi-driver
to drive me to a post-office, a look of far-off vision
and adventure came into his eyes, and he said he had
once heard of a post-office somewhere near West Ninety-Seventh
Street. Men are not efficient in everything, but
only in the fashionable thing. This may be a mark
of the march of science; it does certainly in one
sense deserve the description of youth. We can
imagine a very young person forgetting the old toy
in the excitement of a new one.
But on the other hand, American manners
contain much that is called young in the contrary
sense; in the sense of an earlier stage of history.
There are whole patches and particular aspects that
seem to me quite Early Victorian. I cannot help
having this sensation, for instance, about the arrangement
for smoking in the railway carriages. There are
no smoking carriages, as a rule; but a corner of each
of the great cars is curtained off mysteriously, that
a man may go behind the curtain and smoke. Nobody
thinks of a woman doing so. It is regarded as
a dark, bohemian, and almost brutally masculine indulgence;
exactly as it was regarded by the dowagers in Thackeray’s
novels. Indeed, this is one of the many such
cases in which extremes meet; the extremes of stuffy
antiquity and cranky modernity. The American dowager
is sorry that tobacco was ever introduced; and the
American suffragette and social reformer is considering
whether tobacco ought not to be abolished. The
tone of American society suggests some sort of compromise,
by which women will be allowed to smoke, but men forbidden
to do so.
In one respect, however, America is
very old indeed. In one respect America is more
historic than England; I might almost say more archaeological
than England. The record of one period of the
past, morally remote and probably irrevocable, is
there preserved in a more perfect form as a pagan
city is preserved at Pompeii. In a more general
sense, of course, it is easy to exaggerate the contrast
as a mere contrast between the old world and the new.
There is a superficial satire about the millionaire’s
daughter who has recently become the wife of an aristocrat;
but there is a rather more subtle satire in the question
of how long the aristocrat has been aristocratic.
There is often much misplaced mockery of a marriage
between an upstart’s daughter and a decayed
relic of feudalism; when it is really a marriage between
an upstart’s daughter and an upstart’s
grandson. The sentimental socialist often seems
to admit the blue blood of the nobleman, even when
he wants to shed it; just as he seems to admit the
marvellous brains of the millionaire, even when he
wants to blow them out. Unfortunately (in the
interests of social science, of course) the sentimental
socialist never does go so far as bloodshed or blowing
out brains; otherwise the colour and quality of both
blood and brains would probably be a disappointment
to him. There are certainly more American families
that really came over in the Mayflower than
English families that really came over with the Conqueror;
and an English county family clearly dating from the
time of the Mayflower would be considered a
very traditional and historic house. Nevertheless,
there are ancient things in England, though the aristocracy
is hardly one of them. There are buildings, there
are institutions, there are even ideas in England which
do preserve, as in a perfect pattern, some particular
epoch of the past, and even of the remote past.
A man could study the Middle Ages in Lincoln as well
as in Rouen; in Canterbury as well as in Cologne.
Even of the Renaissance the same is true, at least
on the literary side; if Shakespeare was later he
was also greater than Ronsard. But the point is
that the spirit and philosophy of the periods were
present in fullness and in freedom. The guildsmen
were as Christian in England as they were anywhere;
the poets were as pagan in England as they were anywhere.
Personally I do not admit that the men who served patrons
were freer than those who served patron saints.
But each fashion had its own kind of freedom; and
the point is that the English, in each case, had the
fullness of that kind of freedom. But there was
another ideal of freedom which the English never had
at all; or, anyhow, never expressed at all. There
was another ideal, the soul of another epoch, round
which we built no monuments and wrote no masterpieces.
You will find no traces of it in England; but you
will find them in America.
The thing I mean was the real religion
of the eighteenth century. Its religion, in the
more defined sense, was generally Deism, as in Robespierre
or Jefferson. In the more general way of morals
and atmosphere it was rather Stoicism, as in the suicide
of Wolfe Tone. It had certain very noble and,
as some would say, impossible ideals; as that a politician
should be poor, and should be proud of being poor.
It knew Latin; and therefore insisted on the strange
fancy that the Republic should be a public thing.
Its Republican simplicity was anything but a silly
pose; unless all martyrdom is a silly pose. Even
of the prigs and fanatics of the American and French
Revolutions we can often say, as Stevenson said of
an American, that ’thrift and courage glowed
in him.’ And its virtue and value for us
is that it did remember the things we now most tend
to forget; from the dignity of liberty to the danger
of luxury. It did really believe in self-determination,
in the self-determination of the self, as well as
of the state. And its determination was really
determined. In short, it believed in self-respect;
and it is strictly true even of its rebels and régicides
that they desired chiefly to be respectable. But
there were in it the marks of religion as well as
respectability; it had a creed; it had a crusade.
Men died singing its songs; men starved rather than
write against its principles. And its principles
were liberty, equality, and fraternity, or the dogmas
of the Declaration of Independence. This was
the idea that redeemed the dreary negations of the
eighteenth century; and there are still corners of
Philadelphia or Boston or Baltimore where we can feel
so suddenly in the silence its plain garb and formal
manners, that the walking ghost of Jefferson would
hardly surprise us.
There is not the ghost of such a thing
in England. In England the real religion of the
eighteenth century never found freedom or scope.
It never cleared a space in which to build that cold
and classic building called the Capitol. It never
made elbow-room for that free if sometimes frigid
figure called the Citizen.
In eighteenth-century England he was
crowded out, partly perhaps by the relics of better
things of the past, but largely at least by the presence
of much worse things in the present. The worst
things kept out the best things of the eighteenth
century. The ground was occupied by legal fictions;
by a godless Erastian church and a powerless Hanoverian
king. Its realities were an aristocracy of Regency
dandies, in costumes made to match Brighton Pavilion;
a paganism not frigid but florid. It was a touch
of this aristocratic waste in Fox that prevented that
great man from being a glorious exception. It
is therefore well for us to realise that there is
something in history which we did not experience;
and therefore probably something in Americans that
we do not understand. There was this idealism
at the very beginning of their individualism.
There was a note of heroic publicity and honourable
poverty which lingers in the very name of Cincinnati.
But I have another and special reason
for noting this historical fact; the fact that we
English never made anything upon the model of a capitol,
while we can match anybody with the model of a cathedral.
It is far from improbable that the latter model may
again be a working model. For I have myself felt,
naturally and for a long time, a warm sympathy with
both those past ideals, which seem to some so incompatible.
I have felt the attraction of the red cap as well
as the red cross, of the Marseillaise as well as the
Magnificat. And even when they were in furious
conflict I have never altogether lost my sympathy for
either. But in the conflict between the Republic
and the Church, the point often made against the Church
seems to me much more of a point against the Republic.
It is emphatically the Republic and not the Church
that I venerate as something beautiful but belonging
to the past. In fact I feel exactly the same
sort of sad respect for the republican ideal that
many mid-Victorian free-thinkers felt for the religious
ideal. The most sincere poets of that period
were largely divided between those who insisted, like
Arnold and Clough, that Christianity might be a ruin,
but after all it must be treated as a picturesque
ruin; and those, like Swinburne, who insisted that
it might be a picturesque ruin, but after all it must
be treated as a ruin. But surely their own pagan
temple of political liberty is now much more of a
ruin than the other; and I fancy I am one of the few
who still take off their hats in that ruined temple.
That is why I went about looking for the fading traces
of that lost cause, in the old-world atmosphere of
the new world.
But I do not, as a fact, feel that
the cathedral is a ruin; I doubt if I should feel
it even if I wished to lay it in ruins. I doubt
if Mr. M’Cabe really thinks that Catholicism
is dying, though he might deceive himself into saying
so. Nobody could be naturally moved to say that
the crowded cathedral of St. Patrick in New York was
a ruin, or even that the unfinished Anglo-Catholic
cathedral at Washington was a ruin, though it is not
yet a church; or that there is anything lost or lingering
about the splendid and spirited Gothic churches springing
up under the inspiration of Mr. Cram of Boston.
As a matter of feeling, as a matter of fact, as a
matter quite apart from theory or opinion, it is not
in the religious centres that we now have the feeling
of something beautiful but receding, of something
loved but lost. It is exactly in the spaces cleared
and levelled by America for the large and sober religion
of the eighteenth century; it is where an old house
in Philadelphia contains an old picture of Franklin,
or where the men of Maryland raised above their city
the first monument of Washington. It is there
that I feel like one who treads alone some banquet
hall deserted, whose lights are fled, whose garlands
dead, and all save he departed. It is then that
I feel as if I were the last Republican.
But when I say that the Republic of
the Age of Reason is now a ruin, I should rather say
that at its best it is a ruin. At its worst it
has collapsed into a death-trap or is rotting like
a dunghill. What is the real Republic of our
day as distinct from the ideal Republic of our fathers,
but a heap of corrupt capitalism crawling with worms;
with those parasites, the professional politicians?
I was re-reading Swinburne’s bitter but not
ignoble poem, ‘Before a Crucifix,’ in which
he bids Christ, or the ecclesiastical image of Christ,
stand out of the way of the onward march of a political
idealism represented by United Italy or the French
Republic. I was struck by the strange and ironic
exactitude with which every taunt he flings at the
degradation of the old divine ideal would now fit
the degradation of his own human ideal. The time
has already come when we can ask his Goddess of Liberty,
as represented by the actual Liberals, ’Have
you filled full men’s starved-out souls;
have you brought freedom on the earth?’
For every engine in which these old free-thinkers
firmly and confidently trusted has itself become an
engine of oppression and even of class oppression.
Its free parliament has become an oligarchy. Its
free press has become a monopoly. If the pure
Church has been corrupted in the course of two thousand
years, what about the pure Republic that has rotted
into a filthy plutocracy in less than a hundred?
O, hidden face of man,
whereover
The years have woven
a viewless veil,
If thou wert verily
man’s lover
What did thy love or
blood avail?
Thy blood the priests
make poison of;
And in gold shekels
coin thy love.
Which has most to do with shekels
to-day, the priests or the politicians? Can we
say in any special sense nowadays that clergymen, as
such, make a poison out of the blood of the martyrs?
Can we say it in anything like the real sense, in
which we do say that yellow journalists make a poison
out of the blood of the soldiers?
But I understand how Swinburne felt
when confronted by the image of the carven Christ,
and, perplexed by the contrast between its claims and
its consequences, he said his strange farewell to
it, hastily indeed, but not without regret, not even
really without respect. I felt the same myself
when I looked for the last time on the Statue of Liberty.