THE GENIUS AND HIS ENVIRONMENT.
The facts concerning the genius seem
to indicate that he is a being somewhat exceptional
and apart. Common mortals stand about him with
expressions of awe. The literature of him is embodied
in the alcoves of our libraries most accessible to
the public, and even the wayfaring man, to whom life
is a weary round, and his conquests over nature and
his fellows only the division of honours on a field
that usually witnesses drawn battles or bloody defeats,
loves to stimulate his courage by hearing of the lives
of those who put nature and society so utterly to
rout. He hears of men who swayed the destinies
of Europe, who taught society by outraging her conventions,
whose morality even was reached sometimes by scorn
of the peccadilloes which condemn the ordinary man.
Every man has in him in some degree the hero worshipper,
and gets inflamed somewhat by reading Carlyle’s
Frederick the Great.
Of course, this popular sense can
not be wholly wrong. The genius does accomplish
the world movements. Napoleon did set the destiny
of Europe, and Frederick did reveal, in a sense, a
new phase of moral conduct. The truth of these
things is just what makes the enthusiasm of the common
man so healthy and stimulating. It is not the
least that the genius accomplishes that he thus elevates
the traditions of man and inspires the literature
that the people read. He sows the seeds of effort
in the fertile soil of the newborn of his own kind,
while he leads those who do not have the same gifts
to rear and tend the growing plant in their own social
gardens. This is true; and a philosophy of society
should not overlook either of the factsthe
actual deeds of the great man with his peculiar influence
upon his own time, and his lasting place in the more
inspiring social tradition which is embodied in literature
and art.
Yet the psychologist has to present
just the opposite aspect of these apparent exceptions
to the Canons of our ordinary social life. He
has to oppose the extreme claim made by the writers
who attempt to lift the genius quite out of the normal
social movement. For it only needs a moment’s
consideration to see that if the genius has no reasonable
place in the movement of social progress in the world,
then there can be no possible doctrine or philosophy
of such progress. To the hero worshipper his
hero comes in simply to “knock out,” so
to speak, all the regular movement of the society
which is so fortunate, or so unfortunate, as to have
given him birth; and by his initiative the aspirations,
beliefs, struggles of the community or state get a
push in a new directiona tangent to the
former movement or a reversal of it. If this
be true, and it be farther true that no genius who
is likely to appear can be discounted by any human
device before his abrupt appearance upon the stage
of action, then the history of facts must take the
place of the science or philosophy of them, and the
chronicler become the only historian with a right to
be.
For of what value can we hold the
contribution which the genius makes to thought if
this contribution runs so across the acquisitions of
the earlier time and the contributions of earlier
genius that no line of common truth can be discovered
between him and them? Then each society would
have its own explanation of itself, and that only so
long as it produced no new genius. It may be,
of course, that society is so constitutedor,
rather, so lacking in constitutionthat
simple variations in brain physiology are the sufficient
reason for its cataclysms; but a great many efforts
will be made to prove the contrary before this highest
of all spheres of human activity is declared to have
no meaningno thread which runs from age
to age and links mankind, the genius and the man who
plods, in a common and significant development.
In undertaking this task we must try
to judge the genius with reference to the sane social
man, the normal Socius. What he is we have
seen. He is a person who learns to judge by
the judgments of society. What, then, shall
we say of the genius from this point of view?
Can the hero worshipper be right in saying that the
genius teaches society to judge; or shall we say that
the genius, like other men, must learn to judge by
the judgments of society?
The most fruitful point of view is,
no doubt, that which considers the genius a variation.
And unless we do this it is evidently impossible to
get any theory which will bring him into a general
scheme. But how great a variation? And in
what direction?these are the questions.
The great variations found in the criminal by heredity,
the insane, the idiotic, etc., we have found
excluded from society; so we may well ask why the
genius is not excluded also. If our determination
of the limits within which society decides who is
to be excluded is correct, then the genius must come
within these limits. He can not escape them and
live socially.
The Intelligence of the Genius.The
directions in which the genius actually varies from
the average man are evident as a matter of fact.
He is, first of all, a man of great power of thought,
of great “constructive imagination,” as
the psychologists say. So let us believe, first,
that a genius is a man who has occasionally greater
thoughts than other men have. Is this a reason
for excluding him from society? Certainly not;
for by great thoughts we mean true thoughts, thoughts
which will work, thoughts which will bring in a new
area in the discovery of principles, or of their application.
This is just what all development depends upon, this
attainment of novelty, which is consistent with older
knowledge and supplementary to it. But suppose
a man have thoughts which are not true, which do not
fit the topic of their application, which contradict
established knowledges, or which result in bizarre
and fanciful combinations of them; to that man we
deny the name genius; he is a crank, an agitator, an
anarchist, or what not. The test, then, which
we bring to bear upon the intellectual variations
which men show is that of truth, practical workabilityin
short, to sum it up, “fitness.” Any
thought, to live and germinate, must be a fit thought.
And the community’s sense of the fitness of
the thought is their rule of judgment.
Now, the way the community got this
sensethat is the great result we have
reached above. Their sense of fitness is just
what I called above their judgment. So far, at
least, as it relates to matters of social import,
it is of social origin. It reflects the outcome
of all social heredity, tradition, education.
The sense of social truth is their criterion of social
thoughts, and unless the social reformer’s thought
be in some way fit to go into the setting thus made
by earlier social development, he is not a genius
but a crank.
I may best show the meaning of the
claim that society makes upon the genius by asking
in how far in actual life he manages to escape this
account of himself to society. The facts are very
plain, and this is the class of facts which some writers
urge, as supplying an adequate rule for the application
of the principles of their social philosophy.
The simple fact is, say they, that without the consent
of society the thoughts of your hero, whether he be
genius or fool, are practically valueless. The
fulness of time must come; and the genius before his
time, if judged by his works, can not be a genius at
all. His thought may be great, so great that,
centuries after, society may attain to it as its richest
outcome and its profoundest intuition; but before,
that time, it is as bizarre as a madman’s fancies
and as useless. What would be thought, we might
be asked by writers of this school, of a rat which
developed upon its side the hand of a man, with all
its mechanism of bone, muscle, tactile sensibility,
and power of delicate manipulation, if the remainder
of the creature were true to the pattern of a rat?
Would not the rest of the rat tribe be justified in
leaving this anomaly behind to starve in the hole where
his singular appendage held him fast? Is such
a rat any the less a monster because man finds use
for his hands.
To a certain extent this argument
is forcible and true. If social utility be our
rule of definition, then certainly the premature genius
is no genius. And this rule of definition may
be put in another way which renders it still more
plausible. The variations which occur in intellectual
endowment, in a community, vary about a mean; there
is, theoretically, an average man. The differences
among men which can be taken account of in any philosophy
of life must be in some way referable to this mean.
The variation which does not find its niche at all
in the social environment, but which strikes all the
social fellows with disapproval, getting no sympathy
whatever, is thereby exposed to the charge of being
the “sport” of Nature and the fruit of
chance. The lack of hearing which awaits such
a man sets him in a form of isolation, and stamps
him not only as a social crank, but also as a cosmic
tramp.
Put in its positive and usual form,
this view simply claims that man is always the outcome
of the social movement. The reception he gets
is a measure of the degree in which he adequately
represents this movement. Certain variations
are possiblemen who are forward in the
legitimate progress of societyand these
men are the true and only geniuses. Other variations,
which seem to discount the future too much, are “sports”;
for the only permanent discounting of the future is
that which is projected from the elevation of the past.
The great defect of this view is found
in its definitions. We exclaim at once:
who made the past the measure of the future? and who
made social approval the measure of truth? What
is there to eclipse the vision of the poet, the inventor,
the seer, that he should not see over the heads of
his generation, and raise his voice for that which,
to all men else, lies behind the veil? The social
philosophy of this school can not answer these questions,
I think; nor can it meet the appeal we all make to
history when we cite the names of Aristotle, Pascal,
and Newton, or of any of the men who single-handed
and alone have set guide-posts to history, and given
to the world large portions of its heritage of truth.
What can set limit to the possible variations of fruitful
intellectual power? Rare such variationsthat
is their law: the greater the variation, the more
rare! But so is genius; the greater, the more
rare. As to the rat with the human hand, he would
not be left to starve and decay in his hole; he would
be put in alcohol when he died, and kept in a museum!
And the lesson which he would teach to the wise biologist
would be that here in this rat Nature had shown her
genius by discounting in advance the slow processes
of evolution!
It is, indeed, the force of such considerations
as these which have led to many justifications of
the positions that the genius is quite out of connection
with the social movement of his time. The genius
brings his variations to society whether society will
or no; and as to harmony between them, that is a matter
of outcome rather than of expectation or theory.
We are told the genius comes as a brain-variation;
and between the physical heredity which produces him
and the social heredity which sets the tradition of
his time there is no connection.
But this is not tenable, as we have
reason to think, from the interaction which actually
takes place between physical and social heredity.
To be sure, the heredity of the individual is a physiological
matter, in the sense that the son must inherit from
his parents and their ancestors alone. But granted
that two certain parents are his parents, we may ask
how these two certain parents came to be his parents.
How did his father come to marry his mother, and the
reverse? This is distinctly a social question;
and to its solution all the currents of social influence
and suggestion contribute. Who is free from social
considerations in selecting his wife? Does the
coachman have an equal chance to get the heiress, or
the blacksmith the clergyman’s daughter?
Do we find inroads made in Newport society by the
ranchman and the dry-goods clerk? And are not
the inroads which we do find, the inroads made by
the counts and the marquises, due to influences which
are quite social and psychological? Again, on
the other hand, what leads the count and the marquis,
to lay their titles at Newport doors, while the ranchman
and the dry-goods clerk keep away, but the ability
of both these types of suitors to estimate their chances
just on social and psychological grounds? Novelists
have rung the changes on this intrusion of social
influences into the course of physical heredity.
Bourget’s Cosmopolis is a picture of the influence
of social race characteristics on natural heredity,
with the reaction of natural heredity again upon the
new social conditions.
A speech of a character of Balzac’s
is to the point, as illustrating a certain appreciation
of these social considerations which we all to a degree
entertain. The Duchesse de Carigliano
says to Madame de Sommervieux: “I know
the world too well, my dear, to abandon myself to
the discretion of a too superior man. You should
know that one may allow them to court one, but marry
themthat is a mistake! Neverno,
no. It is like wanting to find pleasure in inspecting
the machinery of the opera instead of sitting in a
box to enjoy its brilliant illusions.”
To be sure, we do not generally deliberate in this
wise when we fall in love; but that is not necessary,
since our social environment sets the style by the
kind of intangible deliberation which I have called
judgment and fitness. Suppose a large number of
Northern advocates of social equality should migrate
to the Southern United States, and, true to their
theory, intermarry with the blacks. Would it
not then be true that a social theory had run athwart
the course of physiological descent, leading to the
production of a legitimate mulatto society? A
new race might spring from such a purely psychological
or social initiation.
While not agreeing, therefore, with
the theory which makes the genius independent of the
social movementleast of all with the doctrine
that physical heredity is uninfluenced by social conditionsthe
hero worshipper is right, nevertheless, in saying
that we can not set the limitations of the genius
on the side of variations toward high intellectual
endowment. So if the general position be true
that he is a variation of some kind, we must look
elsewhere for the direction of those peculiar traits
whose excess would be his condemnation. This we
can find only in connection with the other demand that
we make of the ordinary manthe demand
that he be a man of good judgment. And to this
we may now turn.
The Judgment of the Genius.We
should bear in mind in approaching this topic the
result which follows from the reciprocal character
of social relationships. No genius ever escapes
the requirements laid down for his learning, his social
heredity. Mentally he is a social outcome, as
well as are the fellows who sit in judgment on him.
He must judge his own thoughts therefore as they do.
And his own proper estimate of things and thoughts,
his relative sense of fitness, gets application, by
a direct law of his own mental processes, to himself
and to his own creations. The limitations which,
in the judgment of society, his variations must not
overstep, are set by his own judgment also. If
the man in question have thoughts which are socially
true, he must himself know that they are true.
So we reach a conclusion regarding the selection of
the particular thoughts which the genius may have:
he and society must agree in regard to the fitness
of them, although in particular cases this agreement
ceases to be the emphatic thing. The essential
thing comes to be the reflection of the social standard
in the thinker’s own judgment; the thoughts
thought must always be critically judged by the thinker
himself; and for the most part his judgment is at once
also the social judgment. This may be illustrated
further.
Suppose we take the man of striking
thoughts and withal no sense of fitnessnone
of the judgment about them which society has.
He will go through a mighty host of discoveries every
hour. The very eccentricity of his imaginations
will only appeal to him for the greater admiration.
He will bring his most chimerical schemes out and air
them with the same assurance with which the real inventor
exhibits his. But such a man is not pronounced
a genius. If his ravings about this and that
are harmless, we smile and let him talk; but if his
lack of judgment extend to things of grave import,
or be accompanied by equal illusions regarding himself
and society in other relationships, then we classify
his case and put him into the proper ward for the insane.
Two of the commonest forms of such impairment of judgment
are seen in the victims of “fixed ideas”
on the one hand, and the exaltes on the other.
These men have no true sense of values, no way of selecting
the fit combinations of imagination from the unfit;
and even though some transcendently true and original
thought were to flit through the diseased mind of
such a one, it would go as it came, and the world
would wait for a man with a sense of fitness to arise
and rediscover it. The other class, the exaltes,
are somewhat the reverse; the illusion of personal
greatness is so strong that their thoughts seem to
them infallible and their persons divine.
Men of such perversions of judgment
are common among us. We all know the man who
seems to be full of rich and varied thought, who holds
us sometimes by the power of his conceptions or the
beauty of his creations, but in whose thought we yet
find some incongruity, some eminently unfit element,
some grotesque application, some elevation or depression
from the level of commonplace truth, some ugly strain
in the aesthetic impression. The man himself
does not know it, and that is the reason he includes
it. His sense of fitness is dwarfed or paralyzed.
We in the community come to regret that he is so “visionary,”
with all his talent; so we accommodate ourselves to
his unfruitfulness, and at the best only expect an
occasional hour’s entertainment under the spell
of his presence. This certainly is not the man
to produce a world movement.
Most of the men we call “cranks”
are of this type. They are essentially lacking
in judgment, and the popular estimate of them is exactly
right.
It is evident, therefore, from this
last explanation, that there is a second direction
of variation among men: variation in their
sense of the truth and value of their own thoughts,
and with them of the thoughts of others. This
is the great limitation which the man of genius shares
with men generallya limitation in the amount
of variation which he may show in his social judgments,
especially as these variations affect the claim which
he makes upon society for recognition. It is
evident that this must be an important factor in our
estimate of the claims of the hero to our worship,
especially since it is the more obscure side of his
temperament, and the side generally overlooked altogether.
This let us call, in our further illustrations, the
“social sanity” of the man of genius.
The first indication of the kind of
social variation which oversteps even the degree of
indulgence society is willing to accord to the great
thinker is to be found in the effect which education
has upon character. The discipline of social
development is, as we have seen, mainly conducive
to the reduction of eccentricities, the levelling off
of personal peculiarities. All who come into the
social heritage learn the same great series of lessons
derived from the past, and all get the sort of judgment
required in social life from the common exercises
of the home and school in the formative years of their
education. So we should expect that the greater
singularities of disposition which represent insuperable
difficulty in the process of social assimilation would
show themselves early. Here it is that the actual
conflict comesthe struggle between impulse
and social restraint. Many a genius owes the
redemption of his intellectual gifts to legitimate
social uses to the victory gained by a teacher and
the discipline learned through obedience. And
thus it is also that many who give promise of great
distinction in early life fail to achieve it.
They run off after a phantom, and society pronounces
them mad. In their case the personal factor has
overcome the social factor; they have failed in the
lessons they should have learned, their own self-criticism
is undisciplined, and they miss the mark.
These two extremes of variation, however,
do not exhaust the case. One of them tends in
a measure to the blurring of the light of genius, and
the other to the rejection of social restraint to a
degree which makes the potential genius over into
a crank. The average man is the mean. Put
the greatest reach of human attainment, and with it
the greatest influence ever exercised by man, is yet
more than either of these. It is not enough,
the hero worshipper may still say, that the genius
should have sane and healthy judgment, as society reckons
sanity. The fact still remains that even in his
social judgments he may instruct society. He
may stand alone and, by sheer might, left his fellow-men
up to his point of vantage, to their eternal gain and
to his eternal praise. Even let it be that he
must have self-criticism, the sense of fitness you
speak of, that very sense may transcend the vulgar
judgment of his fellows. His judgment may be saner
than theirs; and as his intellectual creations are
great and unique, so may his sense of their truth
be full and unique. Wagner led the musical world
by his single-minded devotion to the ideas of Wagner;
and Darwin had to be true to his sense of truth and
to the formulations of his thought, though no man
accorded him the right to instruct his generation either
in the one or in the other. To be sure, this divine
assurance of the man of genius may be counterfeited;
the vulgar dreamer often has it. But, nevertheless,
when a genius has it, he is not a vulgar dreamer.
This is true, I think, and the explanation
of it leads us to the last fruitful application of
the doctrine of variations. Just as the intellectual
endowment of men may vary within very wide limits,
so may the social qualifications of men. There
are men who find it their meat to do society service.
There are men so naturally born to take the lead in
social reform, in executive matters, in organization,
in planning our social campaigns for us, that we turn
to them as by instinct. They have a kind of insight
to which we can only bow. They gain the confidence
of men, win the support of women, and excite the acclamations
of children. These people are the social geniuses.
They seem to anticipate the discipline of social education.
They do not need to learn the lessons of the social
environment.
Now, such persons undoubtedly represent
a variation toward suggestibility of the most delicate
and singular kind. They surpass the teachers
from whom they learn. It is hard to say that they
“learn to judge by the judgments of society.”
They so judge without seeming to learn, yet they differ
from the man whose eccentricities forbid him to learn
through the discipline of society. The two are
opposite extremes of variation; that seems to me the
only possible construction of them. It is the
difference between the ice boat which travels faster
than the wind and the skater who braves the wind and
battles up-current in it. The latter is soon
beaten by the opposition; the former outruns its ally.
The crank, the eccentric, the enthusiastall
these run counter to sane social judgment; but the
genius leads society to his own point of view, and
interprets the social movement so accurately, sympathetically,
and with such profound insight that his very singularity
gives greater relief to his inspiration.
Now let a man combine with this insightthis
extraordinary sanity of social judgmentthe
power of great inventive and constructive thought,
and then, at last, we have our genius, our hero, and
one that we well may worship! To great thought
he adds balance; to originality, judgment. This
is the man to start the world movements if we want
a single man to start them. For as he thinks
profoundly, so he discriminates his thoughts justly,
and assigns them values. His fellows judge with
him, or learn to judge after him, and they lend to
him the motive forces of successenthusiasm,
reward. He may wait for recognition, he may suffer
imprisonment, he may be muzzled for thinking his thoughts,
he may die and with him the truth to which he gave
but silent birth. But the world comes, by its
slower progress, to traverse the path in which he
wished to lead it; and if so be that his thought was
recorded, posterity revives it in regretful sentences
on his tomb.
The two things to be emphasized, therefore,
on the rational side of the phenomenally great manI
mean on the side of our means of accounting for him
in reasonable termsare these: first,
his intellectual originality; and, second, the sanity
of his judgment. And it is the variations in
this second sort of endowment which give the ground
which various writers have for the one-sided views
now current in popular literature.
We are told, on the one hand, that
the genius is a “degenerate”; on another
hand, that he is to be classed with those of “insane”
temper; and yet again, that his main characteristic
is his readiness to outrage society by performing
criminal acts. All these so-called theories rely
upon factsso far as they have any facts
to rest uponwhich, if space permitted,
we might readily estimate from our present point of
view. In so far as a really great man busies himself
mainly with things that are objective, which are socially
and morally neutralsuch as electricity,
natural history, mechanical theory, with the applications
of theseof course, the mental capacity
which he possesses is the main thing, and his absorption
in these things may lead to a warped sense of the
more ideal and refined relationships which are had
in view by the writer in quest for degeneracy.
It will still be admitted, however, by those who are
conversant with the history of science, that the greatest
scientific geniuses have been men of profound quietness
of life and normal social development. It is
to the literary and artistic genius that the seeker
after abnormality has to turn; and in this field,
again, the facts serve to show their own meaning.
As a general rule, these artistic
prodigies do not represent the union of variations
which we find in the greatest genius. Such men
are often distinctly lacking in power of sustained
constructive thought. Their insight is largely
what is called intuitive. They have flashes of
emotional experience which crystallize into single
creations of art. They depend upon “inspiration”a
word which is responsible for much of the overrating
of such men, and for a good many of their illusions.
Not that they do not perform great feats in the several
spheres in which their several “inspirations”
come; but with it all they often present the sort
of unbalance and fragmentary intellectual endowment
which allies them, in particular instances, to the
classes of persons whom the theories we are noticing
have in view. It is only to be expected that
the sharp jutting variation in the emotional and aesthetic
realm which the great artist often shows should carry
with it irregularities in heredity in other respects.
Moreover, the very habit of living by inspiration
brings prominently into view any half-hidden peculiarities
which he may have in the remark of his associates,
and in the conduct of his own social duties.
But mark you, I do not discredit the superb art of
many examples of the artistic “degenerate,”
so-called; that would be to brand some of the highest
ministrations of genius, to us men, as random and illegitimate,
and to consider impure some of our most exalting and
intoxicating sources of inspiration. But I do
still say that wherein such men move us and instruct
us they are in these spheres above all things
sane with our own sanity, and wherein they are insane
they do discredit to that highest of all offices to
which their better gifts make legitimate claimthe
instruction of mankind.
Again one of Balzac’s characters
hits the nail on the head. “My dear mother,”
says Augustine, in the Sign of the Cat and Racket,
“you judge superior people too severely.
If their ideas were the same as other folks they would
not be men of genius.”
“Very well,” replies Madame
Guillaume, “then let men of genius stop at home
and not get married. What! A man of genius
is to make his wife miserable? And because he
is a genius it is all right! Genius! genius!
It is not so very clever to say black one minute and
white the next, as he does, to interrupt other people,
to dance such rigs at home, never to let you know
which foot you are to stand on, to compel his wife
never to be amused unless my lord is in gay spirits,
and to be dull when he is dull.”
“But his imaginations....”
“What are such imaginations?”
Madame Guillaume went on, interrupting her daughter
again. “Fine ones are his, my word!
What possesses a man, that all on a sudden, without
consulting a doctor, he takes it into his head to
eat nothing but vegetables? There, get along!
if he were not so grossly immoral, he would be fit
to shut up in a lunatic asylum.”
“O mother, can you believe?”
“Yes, I do believe. I met
him in the Champs Elysees. He was on horseback.
Well, at one minute he was galloping as hard as he
could tear, and then pulled up to a walk. I said
to myself at that moment, ‘There is a man devoid
of judgment!’”
The main consideration which this
chapter aims to present, that of the responsibility
of all men, be they great or be they small, to the
same standards of social judgment, and to the same
philosophical treatment, is illustrated in the very
man to whose genius we owe the principle upon which
my remarks are basedCharles Darwin; and
it is singularly appropriate that we should also find
the history of this very principle, that of variations
with the correlative principle of natural selection,
furnishing a capital illustration of our inferences.
Darwin was, with the single exception of Aristotle,
possibly the man with the sanest judgment that the
human mind has ever brought to the investigation of
nature. He represented, in an exceedingly adequate
way, the progress of scientific method up to his day.
He was disciplined in all the natural science of his
predecessors. His judgment was an epitome of the
scientific insight of the ages which culminated then.
The time was ripe for just such a great constructive
thought as hisripe, that is, so far as
the accumulation of scientific data was concerned.
His judgment differed then from the judgment of his
scientific contemporaries mainly in that it was sounder
and safer than theirs. And with it Darwin was
a great constructive thinker. He had the intellectual
strength which put the judgment of his time to the
straineverybody’s but his own.
This is seen in the fact that Darwin was not the first
to speculate in the line of his great discovery, nor
to reach formulas; but with the others guessing took
the place of induction. The formula was an uncriticised
thought. The unwillingness of society to embrace
the hypothesis was justified by the same lack of evidence
which prevented the thinkers themselves from giving
it proof. And if no Darwin had appeared, the
problem of evolution would have been left about where
it had been left by the speculations of the Greek
mind. Darwin reached his conclusion by what that
other great scientific genius in England, Newton,
described as the essential of discovery, “patient
thought”; and having reached it, he had no alternative
but to judge it true and pronounce it to the world.
But the principle of variations with
natural selection had the reception which shows that
good judgment may rise higher than the level of its
own social origin. Even yet the principle of Darwin
is but a spreading ferment in many spheres of human
thought in which it is destined to bring the same
revolution that it has worked in the sciences of organic
life. And it was not until other men, who had
both authority with the public and sufficient information
to follow Darwin’s thought, seconded his judgment,
that his formula began to have currency in scientific
circles.
Now we may ask: Does not any
theory of man which loses sight of the supreme sanity
of Darwin, and with him of Aristotle, and Angelo, and
Leonardo, and Newton, and Leibnitz, and Shakespeare,
seem weak and paltry? Do not delicacy of sentiment,
brilliancy of wit, fineness of rhythmical and aesthetic
sense, the beautiful contributions of the talented
special performer, sink into something like apologiessomething
even like profanation of that name to conjure by,
the name of genius? And all the more if the profanation
is made real by the moral irregularities or the social
shortcomings which give some colour of justification
to the appellation “degenerate”!
But, on the other hand, why run to
the other extreme and make this most supremely human
of all men an anomaly, a prodigy, a bolt from the
blue, an element of extreme disorder, born to further
or to distract the progress of humanity by a chance
which no man can estimate? The resources of psychological
theory are adequate, as I have endeavoured to show,
to the construction of a doctrine of society which
is based upon the individual, in all the possibilities
of variation which his heredity may bring forth, and
which yet does not hide nor veil those heights of
human greatness on which the halo of genius is wont
to rest. Let us add knowledge to our surprise
in the presence of such a man, and respect to our
knowledge, and worship, if you please, to our respect,
and with it all we then begin to see that because of
him the world is the better place for us to live and
work in.
We find that, after all, we may be
social psychologists and hero worshippers as well.
And by being philosophers we have made our worship
more an act of tribute to human nature. The heathen
who bows in apprehension or awe before the image of
an unknown god may be rendering all the worship he
knows; but the soul that finds its divinity by knowledge
and love has communion of another kind. So the
worship which many render to the unexplained, the fantastic,
the cataclysmalthis is the awe that is
born of ignorance. Given a philosophy that brings
the great into touch with the commonplace, that delineates
the forces which arise to their highest grandeur only
in a man here and there, that enables us to contrast
the best in us with the poverty of him, and then we
may do intelligent homage. To know that the greatest
men of earth are men who think as I do, but deeper,
and see the real as I do, but clearer, who work to
the goal that I do, but faster, and serve humanity
as I do, but betterthat may be an incitement
to my humility, but it is also an inspiration to my
life.