Catherine was not so much engaged
at the theatre that evening, in returning the nods
and smiles of Miss Thorpe, though they certainly claimed
much of her leisure, as to forget to look with an inquiring
eye for Mr. Tilney in every box which her eye could
reach; but she looked in vain. Mr. Tilney was
no fonder of the play than the pump-room. She
hoped to be more fortunate the next day; and when
her wishes for fine weather were answered by seeing
a beautiful morning, she hardly felt a doubt of it;
for a fine Sunday in Bath empties every house of its
inhabitants, and all the world appears on such an
occasion to walk about and tell their acquaintance
what a charming day it is.
As soon as divine service was over,
the Thorpes and Allens eagerly joined each other;
and after staying long enough in the pump-room to
discover that the crowd was insupportable, and that
there was not a genteel face to be seen, which everybody
discovers every Sunday throughout the season, they
hastened away to the Crescent, to breathe the fresh
air of better company. Here Catherine and Isabella,
arm in arm, again tasted the sweets of friendship
in an unreserved conversation; they talked much, and
with much enjoyment; but again was Catherine disappointed
in her hope of reseeing her partner. He was nowhere
to be met with; every search for him was equally unsuccessful,
in morning lounges or evening assemblies; neither at
the Upper nor Lower Rooms, at dressed or undressed
balls, was he perceivable; nor among the walkers,
the horsemen, or the curricle-drivers of the morning.
His name was not in the pump-room book, and curiosity
could do no more. He must be gone from Bath.
Yet he had not mentioned that his stay would be so
short! This sort of mysteriousness, which is always
so becoming in a hero, threw a fresh grace in Catherine’s
imagination around his person and manners, and increased
her anxiety to know more of him. From the Thorpes
she could learn nothing, for they had been only two
days in Bath before they met with Mrs. Allen.
It was a subject, however, in which she often indulged
with her fair friend, from whom she received every
possible encouragement to continue to think of him;
and his impression on her fancy was not suffered therefore
to weaken. Isabella was very sure that he must
be a charming young man, and was equally sure that
he must have been delighted with her dear Catherine,
and would therefore shortly return. She liked
him the better for being a clergyman, “for she
must confess herself very partial to the profession”;
and something like a sigh escaped her as she said
it. Perhaps Catherine was wrong in not demanding
the cause of that gentle emotion but she
was not experienced enough in the finesse of love,
or the duties of friendship, to know when delicate
raillery was properly called for, or when a confidence
should be forced.
Mrs. Allen was now quite happy quite
satisfied with Bath. She had found some acquaintance,
had been so lucky too as to find in them the family
of a most worthy old friend; and, as the completion
of good fortune, had found these friends by no means
so expensively dressed as herself. Her daily
expressions were no longer, “I wish we had some
acquaintance in Bath!” They were changed into,
“How glad I am we have met with Mrs. Thorpe!”
and she was as eager in promoting the intercourse of
the two families, as her young charge and Isabella
themselves could be; never satisfied with the day
unless she spent the chief of it by the side of Mrs.
Thorpe, in what they called conversation, but in which
there was scarcely ever any exchange of opinion, and
not often any resemblance of subject, for Mrs. Thorpe
talked chiefly of her children, and Mrs. Allen of
her gowns.
The progress of the friendship between
Catherine and Isabella was quick as its beginning
had been warm, and they passed so rapidly through every
gradation of increasing tenderness that there was shortly
no fresh proof of it to be given to their friends
or themselves. They called each other by their
Christian name, were always arm in arm when they walked,
pinned up each other’s train for the dance,
and were not to be divided in the set; and if a rainy
morning deprived them of other enjoyments, they were
still resolute in meeting in defiance of wet and dirt,
and shut themselves up, to read novels together.
Yes, novels; for I will not adopt that ungenerous
and impolitic custom so common with novel-writers,
of degrading by their contemptuous censure the very
performances, to the number of which they are themselves
adding joining with their greatest enemies
in bestowing the harshest epithets on such works, and
scarcely ever permitting them to be read by their
own heroine, who, if she accidentally take up a novel,
is sure to turn over its insipid pages with disgust.
Alas! If the heroine of one novel be not patronized
by the heroine of another, from whom can she expect
protection and regard? I cannot approve of it.
Let us leave it to the reviewers to abuse such effusions
of fancy at their leisure, and over every new novel
to talk in threadbare strains of the trash with which
the press now groans. Let us not desert one another;
we are an injured body. Although our productions
have afforded more extensive and unaffected pleasure
than those of any other literary corporation in the
world, no species of composition has been so much
decried. From pride, ignorance, or fashion, our
foes are almost as many as our readers. And while
the abilities of the nine-hundredth abridger of the
History of England, or of the man who collects and
publishes in a volume some dozen lines of Milton, Pope,
and Prior, with a paper from the Spectator, and a
chapter from Sterne, are eulogized by a thousand pens there
seems almost a general wish of decrying the capacity
and undervaluing the labour of the novelist, and of
slighting the performances which have only genius,
wit, and taste to recommend them. “I am
no novel-reader I seldom look into novels Do
not imagine that I often read novels It
is really very well for a novel.” Such
is the common cant. “And what are you reading,
Miss ?” “Oh! It is only a
novel!” replies the young lady, while she lays
down her book with affected indifference, or momentary
shame. “It is only Cecilia, or Camilla,
or Belinda”; or, in short, only some work in
which the greatest powers of the mind are displayed,
in which the most thorough knowledge of human nature,
the happiest delineation of its varieties, the liveliest
effusions of wit and humour, are conveyed to the
world in the best-chosen language. Now, had the
same young lady been engaged with a volume of the
Spectator, instead of such a work, how proudly would
she have produced the book, and told its name; though
the chances must be against her being occupied by
any part of that voluminous publication, of which
either the matter or manner would not disgust a young
person of taste: the substance of its papers
so often consisting in the statement of improbable
circumstances, unnatural characters, and topics of
conversation which no longer concern anyone living;
and their language, too, frequently so coarse as to
give no very favourable idea of the age that could
endure it.