MOTHER AND SON
To say that Jon Forsyte accompanied
his mother to Spain unwillingly would scarcely have
been adequate. He went as a well-natured dog goes
for a walk with its mistress, leaving a choice mutton-bone
on the lawn. He went looking back at it.
Forsytes deprived of their mutton-bones are wont to
sulk. But Jon had little sulkiness in his composition.
He adored his mother, and it was his first travel.
Spain had become Italy by his simply saying:
“I’d rather go to Spain, Mum; you’ve
been to Italy so many times; I’d like it new
to both of us.”
The fellow was subtle besides being
naif. He never forgot that he was going to shorten
the proposed two months into six weeks, and must therefore
show no sign of wishing to do so. For one with
so enticing a mutton-bone and so fixed an idea, he
made a good enough travelling companion, indifferent
to where or when he arrived, superior to food, and
thoroughly appreciative of a country strange to the
most travelled Englishman. Fleur’s wisdom
in refusing to write to him was profound, for he reached
each new place entirely without hope or fever, and
could concentrate immediate attention on the donkeys
and tumbling bells, the priests, patios, beggars,
children, crowing cocks, sombreros, cactus
hedges, old high white villages, goats, olive-trees,
greening plains, singing birds in tiny cages, water-sellers,
sunsets, melons, mules, great churches, pictures,
and swimming grey-brown mountains of a fascinating
land.
It was already hot, and they enjoyed
an absence of their compatriots. Jon, who, so
far as he knew, had blood in him which was not English,
was often innately unhappy in the presence of his own
countrymen. He felt they had no nonsense about
them, and took a more practical view of things than
himself. He confided to his mother that he must
be an unsociable beast it was jolly to
be away from everybody who could talk about the things
people did talk about. To which Irene had replied
simply: “Yes, Jon, I know.”
In this isolation he had unparalleled
opportunities of appreciating what few sons can apprehend,
the whole-heartedness of a mother’s love.
Knowledge of something kept from her made him, no doubt,
unduly sensitive; and a Southern people stimulated
his admiration for her type of beauty, which he had
been accustomed to hear called Spanish, but which
he now perceived to be no such thing. Her beauty
was neither English, French, Spanish, nor Italian it
was special! He appreciated, too, as never before,
his mother’s subtlety of instinct. He could
not tell, for instance, whether she had noticed his
absorption in that Goya picture, “La Vendimia,”
or whether she knew that he had slipped back there
after lunch and again next morning, to stand before
it full half an hour, a second and third time.
It was not Fleur, of course, but like enough to give
him heartache so dear to lovers remembering
her standing at the foot of his bed with her hand
held above her head. To keep a postcard reproduction
of this picture in his pocket and slip it out to look
at became for Jon one of those bad habits which soon
or late disclose themselves to eyes sharpened by love,
fear, or jealousy. And his mother’s were
sharpened by all three. In Granada he was fairly
caught, sitting on a sun-warmed stone bench in a little
battlemented garden on the Alhambra hill, whence he
ought to have been looking at the view. His mother,
he had thought, was examining the potted stocks between
the polled acacias, when her voice said:
“Is that your favourite Goya, Jon?”
He checked, too late, a movement such
as he might have made at school to conceal some surreptitious
document, and answered: “Yes.”
“It certainly is most charming;
but I think I prefer the ‘Quitasol.’
Your father would go crazy about Goya; I don’t
believe he saw them when he was in Spain in ’92.”
In ’92 nine years
before he had been born! What had been the previous
existences of his father and his mother? If they
had a right to share in his future, surely he had
a right to share in their pasts. He looked up
at her. But something in her face a
look of life hard-lived, the mysterious impress of
emotions, experience, and suffering seemed
with its incalculable depth, its purchased sanctity,
to make curiosity impertinent. His mother must
have had a wonderfully interesting life; she was so
beautiful, and so so but he could
not frame what he felt about her. He got up,
and stood gazing down at the town, at the plain all
green with crops, and the ring of mountains glamorous
in sinking sunlight. Her life was like the past
of this old Moorish city, full, deep, remote his
own life as yet such a baby of a thing, hopelessly
ignorant and innocent! They said that in those
mountains to the west, which rose sheer from the blue-green
plain, as if out of a sea, Phoenicians had dwelt a
dark, strange, secret race, above the land! His
mother’s life was as unknown to him, as secret,
as that Phoenician past was to the town down there,
whose cocks crowed and whose children played and clamoured
so gaily, day in, day out. He felt aggrieved that
she should know all about him and he nothing about
her except that she loved him and his father, and
was beautiful. His callow ignorance he
had not even had the advantage of the war, like nearly
everybody else! made him small in his own
eyes.
That night, from the balcony of his
bedroom, he gazed down on the roof of the town as
if inlaid with honey-comb of jet, ivory, and gold;
and, long after, he lay awake, listening to the cry
of the sentry as the hours struck, and forming in
his head these lines:
“Voice in the night
crying, down in the old sleeping
Spanish city darkened under
her white stars!
What says the voice its
clear lingering anguish?
Just the watchman, telling
his dateless tale of safety?
Just a roadman, flinging to
the moon his song?
No! ’Tis one deprived,
whose lover’s heart is weeping.
Just his cry: ‘How
long?’”
The word “deprived” seemed
to him cold and unsatisfactory, but bereaved was too
final, and no other word of two syllables short-long
came to him, which would enable him to keep “whose
lover’s heart is weeping.” It was
past two by the time he had finished it, and past three
before he went to sleep, having said it over to himself
at least twenty-four times. Next day he wrote
it out and enclosed it in one of those letters to
Fleur, which he always finished before he went down,
so as to have his mind free and companionable.
About noon that same day, on the tiled
terrace of their hotel, he felt a sudden dull pain
in the back of his head, a queer sensation in the
eyes, and sickness. The sun had touched him too
affectionately. The next three days were passed
in semi-darkness, and a dulled, aching indifference
to all except the feel of ice on his forehead and his
mother’s smile. She never moved from his
room, never relaxed her noiseless vigilance, which
seemed to Jon angelic. But there were moments
when he was extremely sorry for himself, and wished
terribly that Fleur could see him. Several times
he took a poignant imaginary leave of her and of the
earth, tears oozing out of his eyes. He even
prepared the message he would send to her by his mother who
would regret to her dying day that she had ever sought
to separate them his poor mother!
He was not slow, however, in perceiving that he had
now his excuse for going home.
Towards half past six each evening
came a “gasgacha” of bells a
cascade of tumbling chimes, mounting from the city
below and falling back chime on chime. After
listening to them on the fourth day he said suddenly:
“I’d like to be back in England, Mum,
the sun’s too hot.”
“Very well, darling. As
soon as you’re fit to travel.” And
at once he felt better, and meaner.
They had been out five weeks when
they turned towards home. Jon’s head was
restored to its pristine clarity, but he was confined
to a hat lined by his mother with many layers of orange
and green silk, and he still walked from choice in
the shade. As the long struggle of discretion
between them drew to its close, he wondered more and
more whether she could see his eagerness to get back
to that which she had brought him away from.
Condemned by Spanish Providence to spend a day in
Madrid between their trains, it was but natural to
go again to the Prado. Jon was elaborately casual
this time before his Goya girl. Now that he was
going back to her, he could afford a lesser scrutiny.
It was his mother who lingered before the picture,
saying:
“The face and figure of the girl are exquisite.”
Jon heard her uneasily. Did she
understand? But he felt once more that he was
no match for her in self-control and subtlety.
She could, in some supersensitive way, of which he
had not the secret, feel the pulse of his thoughts;
she knew by instinct what he hoped and feared and
wished. It made him terribly uncomfortable and
guilty, having, beyond most boys, a conscience.
He wished she would be frank with him; he almost hoped
for an open struggle. But none came, and steadily,
silently, they travelled north. Thus did he first
learn how much better than men women play a waiting
game. In Paris they had again to pause for a
day. Jon was grieved because it lasted two, owing
to certain matters in connection with a dressmaker;
as if his mother, who looked beautiful in anything,
had any need of dresses! The happiest moment of
his travel was that when he stepped on to the Folkestone
boat.
Standing by the bulwark rail, with
her arm in his, she said:
“I’m afraid you haven’t
enjoyed it much, Jon. But you’ve been very
sweet to me.”
Jon squeezed her arm.
“Oh! yes, I’ve enjoyed it awfully except
for my head lately.”
And now that the end had come, he
really had, feeling a sort of glamour over the past
weeks a kind of painful pleasure, such as
he had tried to screw into those lines about the voice
in the night crying; a feeling such as he had known
as a small boy listening avidly to Chopin, yet wanting
to cry. And he wondered why it was that he couldn’t
say to her quite simply what she had said to him:
“You were very sweet to me.”
Odd one never could be nice and natural
like that! He substituted the words: “I
expect we shall be sick.”
They were, and reached London somewhat
attenuated, having been away six weeks and two days,
without a single allusion to the subject which had
hardly ever ceased to occupy their minds.