A MERCHANT, THEN AN ACTOR
Well, something else had to be done
to recover my losses and fill in time. Having
the offices on my hands for I had taken
them on a three months’ lease it
struck me that if I became a commission agent, and
if I secured something good to sell, I might make
some money.
So I decided to interview several
firms in the exhibition with a view to becoming their
agent. My first endeavours met with what I thought
was considerable success. They were mostly foreign
firms that I approached, as I am a good linguist,
and they appeared to be delighted to have my services
as their agent. Amongst them, I remember, was
a German firm which had quite a wonderful turning
lathe which could turn out table legs, ornamental
posts, banisters for staircases, and in fact all sorts
of wooden legs and posts, in marvellous quick time.
Then there was an American firm with a very reliable
and still cheap line of watches, and so on. But
I was not made aware that these firms had already imported
large stocks of their particular goods and were selling
them on their own account, so that there were not
many opportunities left of doing further business
for the time being. In the meantime I spent quite
a fair sum of money in advertising their goods, for
which, no doubt, they were inwardly thankful.
Sitting in my office one day I had
a visit from a gentleman, who asked me if I would
act as agent for what he informed me was a sure and
good line to sell. I told him it depended on
what it was. To my surprise he said, “Yorkshire
hams.” I looked at him, wondering whether
he was all right in the head. He noticed my hesitation
in answering him, but said:
“All right. The position
is this. I am closely in touch with many of the
boats arriving in harbour from England. Most of
them are now bringing certain quantities of Yorkshire
hams by way of a little speculation amongst some of
the ship’s company. Knowing most of them,
they have asked me if I could place their hams.
I have no time myself to do so, but I thought a firm
like yours would take it on.”
Well, it didn’t appear to me
there was any harm in selling “Yorkshire hams”
and getting a good commission out of them, and, at
any rate, there were always people who would eat “Yorkshire
hams,” and if the market wasn’t glutted
they could soon be disposed of. The terms of my
commission were fixed up, and my visitor undertook
to start delivering the hams at the offices in a couple
of days. I may tell you that there was a back
entrance to the offices from a side street, and as
the offices were fairly large, one room was set aside
for the storage of the hams. It was to be his
business to deliver them and store them. We began
operations at once, and I succeeded in getting orders
fairly easily. I discovered afterwards that the
reason of this was that my price was lower than the
actual market price. Having no previous experience
in selling hams, and, as a matter of fact, of selling
anything, I had no suspicion that there might be something
wrong in connexion with the business. I just kept
on selling hams as long as there were any available.
Things were looking up, I thought.
If I could only get people to buy a few legs for tables,
and banisters for their staircases, good old-fashioned
four-poster beds, and some of the other goods for which
I was presumably agent, business would look up and
a fair start would be made.
But Nemesis was again after me.
I received a visit one morning from a gentleman I
knew quite well. He was, as a matter of fact,
one of the senior Customs officers. He was very
nice, but he advised me to give up selling hams.
It appeared that these very good hams were all being
smuggled, and found their way up to my offices by all
manner of means, sometimes in cabs, sometimes in sacks
on wheelbarrows, and that consequently I was taking
part in a transaction which duly qualified me for
a heavy fine, in addition to a somewhat healthy term
of imprisonment. So my friend the Customs House
officer, who was quite aware that I was innocent of
fraud and had no knowledge of what was going on, had
come round to warn me. He hoped, he said, very
soon to get hold of the kind gentleman who had been
good enough to introduce the business to me. Well,
there was nothing to be done but “Hands off hams,”
and as I had been a commission agent then for some
six weeks, and the only merchandise I had sold was
“the hams,” I considered it high time to
close the business, in case I might let myself in
for something more serious.
Just about this time the notorious
bushranger, Ned Kelly, who had been captured close
to Benalla, Victoria, was sentenced to death, and he
was to be hanged at the Melbourne Jail at eight o’clock
one morning.
I felt a certain amount of curiosity.
I thought it would be an unique experience to witness
his execution. I was a personal friend of the
chief magistrate of the city, and besides, having
arranged with one or two New Zealand papers to communicate
to them any matters which might be of interest during
my stay in Australia, I could obtain permission to
be present at the execution as a representative of
the Press. The White Hart Hotel was not far distant
from the jail.
I did not feel in the least happy
the afternoon before the morning of the execution,
when a permit to be present was handed to me by a police
officer. My dinner that night seemed to disagree
with me, and I went to my bed feeling that I was about
to witness a scene that was more than likely to leave
such impressions in my mind as I would probably regret
for the rest of my life. However, it had to be
done. I was up early after a sleepless and restless
night, and then walked to the jail. I arrived
at the big entrance gates, the sad and solemn entrance
to the forbidding-looking building, about ten minutes
to eight in the morning. Around those gates a
large crowd had congregated.
There was not a sound to be heard
from that crowd. There was dead silence.
I made my way to those big entrance gates. A small
wicket gate with a bell-rope attached was in front
of me. I pulled the bell-rope. The little
door was quietly opened. Just at the moment a
cab arrived, and three men stepped out. Naturally
thinking they were officials connected with the execution,
I stood aside to let them pass through the little
door. I noticed that one of them seemed to be
somewhat under the influence of drink. They passed
on into the confines of the jail. I then asked
the gatekeeper who those men were. He said, “That
one is the hangman.” He was the one whom
I had noticed. My wish, or my intention rather,
to step inside those gates vanished. I thanked
the gatekeeper and told him that I would not trouble
him to let me through. The little door was then
shut, and I was more than glad to remain outside.
I became one of that silent crowd who waited outside
the gates. It was some twenty minutes afterwards
that the black flag was hoisted on the building.
The full penalty of the law had been paid by Ned Kelly.
I dare say many of those who read
this may have seen exhibited the iron case which Kelly
wore over his head at the time of his capture, and
on which the dents of two or three bullets which had
struck it when he had been captured were plainly visible.
I had now been, as you see, really
hard at work for over two months, so I thought I was
entitled to a holiday; for there appeared to be no
probability of the appointment for which I was waiting
being made just then.
It was Christmas time, very hot, so
the seaside was the place to go to, and I selected
Geelong why, I know not. I was there
but a few days when I was introduced to some residents
whose business was that of wool broking. We had
several mutual friends.
I had told them that I had not been
very successful in my business enterprises, and after
two or three days they were good enough to offer me
a position in their offices. I thanked them very
much and left Geelong, as I was afraid that if I started
business again so soon after my late experiences I
might get into further difficulties.
But, as a matter of fact, the real
reason of my refusing their offer was that what I
almost looked upon as a divine inspiration had come
to me in the meantime. Why should the experiences
I had gained while managing the Royal Artillery Theatre
at Woolwich for one whole week be lost to the world,
and particularly to Australia? I had been manager
for that week, and I had been one of the stars of
the company. Why, of course, it would be criminal
not to give the Melbourne public the opportunity to
judge of my capabilities as an actor. So, on
a Monday midday I called at the Bijou Theatre, Bourke
Street, of which the lessee was Mr. Wybert Reeve, who
was running his own company and playing at that time
The Woman in White. He was a good, sound,
old-fashioned actor. I interviewed him in his
sanctum and told him that I was anxious to go on the
stage.
“Have you acted before?” he asked.
“Oh, yes,” I said, quite
in a lordly way; and I told him of my experiences
at Woolwich. He was not in the least impressed.
“What salary do you expect?” he then asked.
“I should think that four pounds
a week would be a fair commencement,” I answered.
You should have seen the expression
on his face. He looked at me for a few moments
in silence, and then exclaimed:
“Why, good gracious! Do
you know that I was acting nearly five years before
I earned a pound a week? And you want to begin
with four pounds a week.”
“Well,” I said, “you
must have begun a considerable number of years ago.
Times change. Besides, I have some very excellent
clothes, and they are surely worth something in their
way.”
Well, he laughed, for he appeared
to have been somewhat favourably impressed by what
he no doubt considered my impertinence and self-conceit,
and told me that at the moment his company was full,
but that if I left him my address he would communicate
with me as soon as an opportunity arose.
On the very next Thursday afternoon
I received a note from him at the old White Hart Hotel,
asking me if I would call upon him as soon as convenient.
I arrived there at seven that evening, and found him
waiting for me in his dressing-room, where he was
preparing to make up for his part as Count Fosco,
in which he had been quite a success. He opened
the conversation by asking me if I was prepared to
take on the part of Careless in The School for
Scandal, which he had advertised to produce on
the Saturday night next. He explained that the
artist whom he had engaged for the part had been missing
for two days, and, from what he had gathered, even
if he presented himself at the theatre, it was more
than doubtful if he would be in a fit condition to
appear before the public.
The proposition was a difficult one.
To study the part in two days, appearing in it on
the evening of the second day, without an opportunity
of rehearsal, would be a bold venture for one who was
setting forth to earn fame and a high reputation as
an actor. I thought for a moment or two.
I remembered that I had seen The School for
Scandal played once or twice in my life.
My recollections of the part of Careless were that
he was a somewhat light-hearted, jovial, easy-going
person, whose life was a pleasure to him, and who
did not take too serious a view of the things in this
world. Well, was I not, at that moment, in a position
when I might with advantage take on the mantle of
Careless’s temperament and chance the result?
Yes; I consented. Wybert was evidently relieved.
He told me afterwards, in confidence, that he so admired
what he considered my consummate self-confidence that
he decided to give me the opportunity, subject to
an informal rehearsal to be held on the next day, Friday,
in the afternoon. I then inquired whether Careless’s
costume would be ready for me. A serious look
came over his face.
“By Jove!” he said, “the
Careless that’s missing is only about five foot
nine. It’s quite impossible to put your
six feet two inches into his clothes. What’s
to be done? Can you get them made in time?”
I relieved his mind by telling him
that, as good fortune would have it, I had been at
a fancy dress ball at a friend’s house in Toorak
just ten days before, and that a friend of mine, who
was private secretary to one of the then Governors
of Australia, and who was about my height and build,
had appeared at the ball as Careless, and his costume
was a particularly handsome one. I had no doubt
if I asked him he would lend it to me. Once more
the smile came across his face. He looked at me
for a bit and then remarked:
“I’m beginning to think
honestly that you’re pulling my leg all the time.
Say so, if you are; otherwise I shall postpone the
production of The School for Scandal and continue
The Woman in White for another week.”
I felt sorry for a moment that he
had considered me to have been somewhat flippant.
I had no doubt he had some right to think so, so I
very sincerely and seriously told him that such a
thing as pulling anybody’s leg had never entered
my mind. Indeed, very far from it; that my experience
since I had been in Melbourne was exactly the opposite,
and that it was I who had suffered much from having
my leg pulled by other people, especially those commercial
magnates whose business I had been so anxious to promote.
My explanation seemed to please him. There was
one more point which required arranging, and an important
point too, and that was whether my salary would be
four pounds a week or not. So I asked him.
He answered very readily that if he was satisfied with
the results of the rehearsal next day, and in view
of the fact that I was finding my own wardrobe, and
that an expensive one, he would pay the four pounds
a week. I at once thought to myself that I had
made a mistake. I was giving myself away too
cheap, but I would keep it in mind for our next business
interview. I did remember, as you will see presently.
Friday afternoon came, and, as the
stage was occupied in preparing the new scenery for
The School for Scandal, we held a so-called
rehearsal in one of the corridors. It was very
informal, but I had mastered my book. Wybert
closed on our bargain, and the comedy was produced
on the Saturday night before a very large, select
and enthusiastic audience, amongst whom there seemed
to be an inordinate number of my own personal friends.
All went well. I had made up my mind to succeed
or go right down under. I was in a very happy
mood. My friend the private secretary’s
clothes fitted me to perfection, and, to the astonishment
not only of Wybert Reeve himself, the company, and
the professional critics in front, I introduced at
times some light dancing steps, which cheered me on
in my efforts and apparently highly pleased our audience.
Between the acts Wybert took the opportunity, while
encouraging me, to suggest that it would be an awful
pity to spoil the splendid work I was putting in, as
he called it, by overdoing it. I could see how
anxious he was. I opened a good bottle of champagne,
we had a drink together, and I assured him that all
would be well. And so it was; and at the end of
the performance we answered repeated calls before
the curtain. When we had made our last bows to
the audience, the company met in what was then an old
institution at the back of the scenes, namely, the
green-room, where Wybert himself insisted on opening
the champagne and was no longer anxious as to how
many glasses we drank to the success of The School
for Scandal.
Sunday was a happy day. I spent
it with some friends near Point Cook, at Port Phillip
Bay, which spot, years afterwards, I selected to establish
the first aviation school in Australia. Most of
the country in that district belonged to the Chirnside
family, the first of whom had made good in the early
days of the Colony of Victoria. Werribee House
was their headquarters. So had the Clarkes made
good, the Manifolds, the Blacks and many others whom
in after years I had to thank for much kindness and
hospitality.
On the Monday, which was known amongst
actors as Treasury morning, I duly attended Wybert’s
office to collect my first hard-earned wage. It
had been arranged that, though my engagement dated
only from the previous Thursday, I would be entitled
to a week’s wages if all was well on the opening
night. I was as contented as anyone could be,
for I knew I had made good. The two leading morning
papers had most favourable notices, the production
was a success, and even Careless had been favourably
commented on by them. I duly received four golden
sovereigns. I felt this was a much better line
of business than editing sporting newspapers or selling
hams and table legs.
But I was remembering the fact, yes,
that I had asked for too low a salary, and that having
come out on top I was entitled to more money.
How much was it to be? I bethought to myself
that a rise of two pounds would not be an extravagant
request, taking everything into consideration.
So, after thanking Wybert, I informed him that I could
not think of continuing in the play unless he raised
my salary to six pounds a week. He was cross,
I could see, and he also pretended to be hurt.
“How can you make such a request
after the chance I have given you? It is preposterous.
I am surprised at you.”
“Well,” I said, “I
agree with you as far as being surprised. I am
surprised myself. And it would never do for you
to lose another Careless within a week, and unless
I get the extra two pounds a week I might be lost
to-night myself.” The idea of such a happening
seemed to strike him as possible. He hesitated;
then he gave in, and my salary was fixed at six pounds
a week, but, more than that, he took me on at that
rate for a term of six weeks. I practically became
a real live member of his company, and was to be ready
to play any part from Hamlet to an imbecile old butler
in a fool of a farce, if asked to do so. I was
not downhearted. I felt I could play anything.
The six weeks passed only too quickly. Wybert
produced three other plays within that time, and then
came the end of his lease and the breaking up of our
company.
Our leading lady was Madame lé
Grand, who, I think, was (or had been) Mrs. Kyrle
Bellew in private life. Mr. Ireland was one of
our leading men, the father of that gifted young actress,
Miss Harry Ireland. Maggie Oliver, an irrepressible
and most clever soubrette, was ever happy and a source
of pleasure to us all. Old Daniels, a Jew, was
the funny man. He was a first-rate low comedian
who never overdid his part. Then there was Hans
Phillips, a polished actor, who, I think, married the
daughter of Gordon, then the best scenic painter in
Australia. Poor Hans Phillips unfortunately died
at a comparatively early age. Then I remember
those two charming sisters, Constance and Alice Deorwyn,
who afterwards became, one, Mrs. Stewart, and the
other Mrs. Holloway, the mother of another charming
young actress, Beatrice Holloway.
During this time I was introduced
to, and became intimate with, many of the leading
managers and actors in Australia. There was Coppin,
the doyen of the profession. Maggie Moore and
her husband, J. C. Williamson, had “struck oil.”
The four Stewart Sisters were at their best. In
a pantomime the youngest of them, Nelly, then only
about sixteen, was bewitching her many admirers, singing
“For he wore a penny paper collar round his
throat,” and dancing like a sylph. What
a favourite she became, and how for many years she
continued to be at the top of her profession, all
Australia knows. Who that saw her can forget her
as Sweet Nell, and who that had had the pleasure of
knowing her but thinks of her, not as “Sweet
Nell of Old Drury,” but as Sweet Nellie Stewart
herself.
The friendships I made then have lasted
till death has intervened. During the many years
I spent in Australia I counted many shining lights
of the theatrical profession as close personal friends and
I do so now. Violet Loraine was the last.
At the end of my first and short engagement we got
up a benefit on behalf of the two Deorwyn sisters.
The opening piece was a farce named
Turn Him Out, in which I played the leading
part, Eglantine Roseleaf. This was my last public
appearance as a professional actor.
An event happened which put an end
to any reasons why I should stay in Victoria awaiting
the military appointment which had been promised me.
The finances of the colony were in a low state, retrenchment
was imperative, and the Premier, Graham Berry, set
to work to carry it out with a heavy hand. The
public services suffered heavily, and amongst them
the military vote heaviest of all. Instead of
any new military appointment being made, a large percentage
of the officers serving were retrenched. I felt
bitterly disappointed, but I could not blame my friend,
General Scratchley; in fact I could not blame anybody.
My friends, or at least some of them,
advised me to continue my theatrical efforts.
They even offered me a tempting rise on my last salary
and fairly long engagements, but I was in no way keen.
I had tried it only as an experiment, and the ways
of the theatre were not alluring to me, and especially
after having gone through them personally. There
is a good deal of fun to be got out of it, but few
people know how hard one has to work, and what a slave
to duty one has to become in order to rise to the
top of the tree.
There was nothing for it now but to
return home. I said good-bye to all my friends
and left for Adelaide, South Australia, en route for
Scotland.