Absence of Red Tape-“Rapid
Transit” in New York-The Problem and
its Solution-The Whirl of Life-New
York by Night-The “White Magic”
of the Future.
NEW YORK.
Whatever turn her fiscal policy may
take in the future, I hope America will keep an absolutely
prohibitive duty upon the import of red tape, while
at the same time discouraging the home manufacture
of the article. The absence of red tape is, to
me, one of the charms of life in this country.
One gathers, indeed, that the art of running a Circumlocution
Office is carried to a high pitch in the political
sphere. But there it is exercised with a definite
object; it is a means to an end, cunningly devised
and skillfully applied; it is not a mere matter of
instinct, inertia, and routine. The Tite Barnacles
of Dickens’s satire were perfectly honest people
according to their lights. They were sincerely
convinced that the British Empire would crumble to
pieces the moment its ligaments of red tape were in
the slightest degree relaxed. Their strength
lay in the fact that they represented an innate tendency
in the nation, or at any rate in the dominant class
at the period of which Dickens wrote. In America
there is no such innate tendency. The Tite Barnacles
do not imagine or pretend that they are saving the
Republic; they simply make use of a convenient political
machinery to serve their private ends. Therefore
their position, however strong it may seem for the
moment, is insecurely founded. It rests upon no
moral basis, it finds no stronghold in the national
character. Outsiders may think the average American
citizen strangely tolerant of abuses, and indeed I
find him smiling with placid amusement at things which,
were I in his place, would make my blood boil.
But he is under no illusion as to the real nature
of these things. An abuse remains an abuse in
his eyes, though he may not for the moment see his
way to rectifying it. The red tape which is used
to embarrass justice or “tie up” reform
commands no reverence even from the party that employs
it. Cynicism may endure for the night, but indignation
ariseth in the morning.
The American character, in a word,
does not naturally run to red tape. Observe,
for instance, the system of transit in New York:
it is admirably successful in grappling with a very
difficult problem, and its success proceeds from the
absence of by-laws and restrictions, the omnipresence
of good-nature and common-sense. The problem is
rendered difficult, not only by the enormous numbers
to be conveyed, but by the stocking-like configuration
of Manhattan Island. The business quarter of
New York is in the foot, the residential quarters in
the calf and knee. Therefore there is a great
rush of people down to the foot in the morning and
up to the knee in the afternoon. The business
quarter of London is like the hub of a wheel, from
which the railway and omnibus lines radiate like spokes.
In New York there is very little radiation or dispersion
of the multitude. Practically the whole tide sets
down a narrow channel in the morning, and up again
in the evening. At the time, then, of these tidal
waves, it is a flat impossibility that transit can
be altogether comfortable. The “elevated”
trains and electric trolleys are overcrowded, certainly;
but you can always find a place in them, and they
carry you so rapidly that the discomfort is rendered
as little irksome as possible. A society has
been formed, I see, to agitate against this overcrowding;
but it seems to me it will only waste its pains.
Let it agitate for an underground railway, by all means;
and if, as I gather, the underground railway scheme
is obstructed by self-seeking vested interests, let
it do its best to break down the obstruction.
Until some altogether new means of transport are provided,
the attempt to restrict the number of passengers which
a car or trolley may carry is, I think, antisocial,
and must prove futile. The force of public convenience
would break the red-tape barrier like a cobweb.
The trains and trolleys follow each other at the very
briefest intervals; it does not seem possible that
a greater number should be run on the existing lines;
and, that being so, there is no alternative between
overcrowding and the far greater inconvenience of indefinite
delay. Fancy having to “take a number,”
as they do in Paris, and await your turn for a seat!
New York would be simply paralysed. It is needless
to point out, of course, that where steam or electricity
is the motive power there is no cruelty to animals
in overcrowding.
The American people, rightly and admirably
as it seems to me, choose the lesser of two evils,
and minimise it by good temper and mutual civility.
At a certain hour of every morning, the “L”
railroad trains are as densely packed as our Metropolitan
trains on Boat-Race Day. There are people clinging
in clusters to each of the straps, and even the platforms
between the cars are crowded to the very couplings.
It often appears hopelessly impossible for any new-comer
to squeeze in, or for those who are wedged in the
middle of a long car to force their way out.
Yet when the necessity arises, no force has to be applied.
People manage somehow or other to “welcome the
coming, speed the parting guest.” Every
one recognises that cantankerous obstructiveness would
only make matters worse, nay, absolutely intolerable.
The first comer makes no attempt to insist upon his
position of advantage, because he knows that to-morrow
he may be the last comer. The sense of individual
inconvenience is swamped in the sense of general convenience.
People laugh and rather enjoy the joke when a too
sudden start or an abrupt curve sends a whole group
of them cannoning up against one another. It must
be remembered that the transit is rapid, so that there
is no irritating sense of wasted time: and that
the cars are brilliantly lighted, and, on the whole,
well ventilated, so that there is no fog, smoke, or
sulphurous air to get on the nerves and strain the
temper. The scene as a whole, even on a wet,
disagreeable evening, is not depressing, but rather
cheerful. For my part, I regard it with positive
pleasure, as a manifestation of the national character.
Less admirable, to be sure, is the public acquiescence
in the political manoeuvring, which blocks the proposed
underground railway. Yet the opponents of the
scheme have doubtless something to say on their side.
It appears, at any rate, that the profits of the “L”
road are not exorbitant. It is said to be only
through overcrowding that it pays at all. The
passengers it seats barely suffice to cover expenses,
and “the profits hang on to the straps.”
Idealists hope that when the underground
comes, the elevated will go; but I, as an outsider,
cannot share his hope. In the first place, I
don’t see how the mere substitution of one line
for another is to relieve the congestion of traffic;
in the second place, the elevated seems to me an admirable
institution, which it would be a great pity to abolish.
Even aesthetically there is much to be said for it.
The road, itself, to be sure, does not add to the
beauty of the avenues along which it runs, but it
is not by any means the eyesore one might imagine;
and the trains, with their light, graceful, and elegantly-proportioned
cars, so different from our squat and formless railway
carriages, seem to me a positively beautiful feature
of the city life. They are not very noisy, they
are not very smoky, and they will be smokeless and
almost noiseless when they are run by electricity.
The discomfort they cause, to dwellers on the avenues
is, I am sure, greatly exaggerated. People who
do not live on the avenues suffer in their sympathetic
imagination much more than the actual martyrs to the
“L” road suffer in fact. Imagination
makes cowards of us all. For my part, I endured
agonies from the rush, whirl and clatter of New York
before I left London; but here I find nothing that,
to healthy nerves, is not rather enjoyable than otherwise.
Neither up town nor down town is the traffic so dense,
the roar and bustle so continuous, as that of London;
while the service of trains and cars is so excellent
and so simply arranged that it costs much less thought,
effort, and worry to “get about” in Manhattan
than in Middlesex. In saying this I may perhaps
offend American susceptibilities. There is nothing
we moderns are more apt to brag of than the nervous
overstrain of our life. But sincerity comes before
courtesy, and I must gently but firmly decline to allow
New York a monopoly of neurasthenia, or of the conditions
that produce it.
One great difference is, I take it,
that while New York exhausts it also stimulates, whereas
the days of the year when there is any positive stimulus
in the air of London may be counted on the ten fingers.
Muggy and misty days do occur here, it is true; but
though the natives tell me that this month of March
has been exceptionally unpleasant, the prevailing
impression I have received is that of a lofty and radiant
vault of sky, with keen, sweet, limpid air that one
drank in eagerly, like sparkling wine. More than
once, after a slight snowfall, I have seen the air
full of dancing particles of light, like the gold leaf
in Dantzic brandy. One of the most impressive
things I ever saw, though I did not then realise its
tragic significance, was the huge column of smoke
that rose into the clear blue air from the Windsor
Hotel fire. I happened to come out on Fifth Avenue,
close to the Manhattan Club, just as the tail of the
St. Patrick’s Day procession was passing; and,
looking up the avenue after it, I was ware of a gigantic
white pillar standing motionless, as it seemed to
me, and cleaving the limitless blue dome almost to
the zenith. The procession moved quietly on; no
one appeared to take any notice; and as fires are
ineffective in the daylight, I turned down the avenue
instead, of up, and saw no more of the spectacle.
But I shall never forget that “pillar of cloud
by day,” standing out in the sunshine, white
as marble or sea foam.
At night, again, under the purple,
star-lit sky, street life in the central region of
New York is indescribably exhilarating. From Union
Square to Herald Square, and even further up, Broadway
and many of the cross streets flash out at dusk into
the most brilliant illumination. Theatres, restaurants,
stores, are outlined in incandescent lamps; the huge
electric trolleys come sailing along in an endless
stream, profusely jewelled with electricity; and down
the thickly-gemmed vista of every cross street one
can see the elevated trains, like luminous winged
serpents, skimming through the air. The great restaurants
are crowded with gaily-dressed merry-makers; and altogether
there is a sense of festivity in the air, without
any flagrantly meretricious element in it, which I
plead guilty to finding very enjoyable. From the
moral, and even from the loftily aesthetic point of
view, this gaudy, glittering Vanity Fair is no doubt
open to criticism. What reconciles me to it aesthetically
is the gemlike transparency of its colouring.
Garish it is, no doubt, but not in the least stifling,
smoky, or lurid. The application of electricity-light
divorced from smoke and heat-to the beautifying
of city life is as yet in its infancy. Even the
Americans have scarcely got beyond the point of making
lavish use of the raw material. But the raw material
is beautiful in itself, and in this pellucid air (the
point to which one always returns) it produces magical
effects.
The other night, at a restaurant,
I sat at the next table to Mr. Edison, and could not
but look with interest and admiration at his furrowed,
anxious, typically American and truly beautiful face.
Here, if you like, was an example of nervous overstrain;
but the soft and yet brilliant light of the restaurant
was in itself a sufficient reminder that the overstrain
had not been incurred for nothing. Electricity
is the true “white magic” of the future;
and here, with his pallid face and silver hair, sat
the master magician-one of the great light-givers
of the world. A light-giver, I think, in more
than a merely material sense. The moral influence
of the electric lamp, its effect upon the hygiene of
the soul, has not yet been duly estimated. But
even in a merely material sense, what has not the
Edison movement, as it may be called, done for this
city of New York! Its influence is felt on every
hand, in comfort, convenience, and beauty. The
lavish use of electricity, both as an illuminant and
as a motive power, combines with its climate, its
situation, and its architecture to make New York one
of the most fascinating cities in the world.
Why, good Americans, when they die, should go to Paris,
is a theological enigma which more and more puzzles
me.
POSTSCRIPT.-Since my return
to England, I have carefully reconsidered my impression
that the rush, whirl, and clamour of street life is
greater in London than in New York. Every day
confirms it. On our main thoroughfares, the stream
of omnibuses is quite as unbroken as the stream of
electric and cable cars in New York; our van traffic
is at least as heavy; and we have in addition the
host of creeping “growlers” and darting
hansoms, which is almost without counterpart in New
York. I know of no crossing in New York so trying
to the nerves as Piccadilly Circus or Charing Cross
(Trafalgar Square). The intersection of Broadway,
Fifth Avenue and 23rd Street, at Madison Square, is
the nearest approach to these bewildering ganglia
of traffic. It must be owned, too, that the Bowery,
with its two “elevated” tracks and four
lines of trolley-cars, is a place where one cannot
safely let one’s wits go wool-gathering, especially
on a rainy evening when the roadway is under repair.
Let me add that there is one place in New York where
the whirl of traffic ("whirl” in a literal sense)
is unique and amazing. I mean the covered area
at the New York end of Brooklyn Bridge where the transpontine
electric cars, in an incessant stream, swoop down the
curves of the bridge and sweep round on their return
journey. The scene at night is indescribable.
The air seems supersaturated with electricity, flashing
and crackling on every hand. One has a sense of
having strayed unwittingly into the midst of a miniature
planetary system in full swing, with the boom of the
trolleys, in their mazy courses, to represent the
music of the spheres.