BIRDS OF THE SNOW
No fact of natural history is more
interesting, or more significant of the poetry of
evolution, than the distribution of birds over the
entire surface of the world. They have overcome
countless obstacles, and adapted themselves to all
conditions. The last faltering glance which the
Arctic explorer sends toward his coveted goal, ere
he admits defeat, shows flocks of snow buntings active
with warm life; the storm-tossed mariner in the midst
of the sea, is followed, encircled, by the steady,
tireless flight of the albatross; the fever-stricken
wanderer in tropical jungles listens to the sweet
notes of birds amid the stagnant pools; while the thirsty
traveller in the desert is ever watched by the distant
buzzards. Finally when the intrepid climber,
at the risk of life and limb, has painfully made his
way to the summit of the most lofty peak, far, far
above him, in the blue expanse of thin air, he can
distinguish the form of a majestic eagle or condor.
At the approach of winter the flowers
and insects about us die, but most of the birds take
wing and fly to a more temperate climate, while their
place is filled with others which have spent the summer
farther to the north. Thus without stirring from
our doorway we may become acquainted with many species
whose summer homes are hundreds of miles away.
No time is more propitious or advisable
for the amateur bird lover to begin his studies than
the first of the year. Bird life is now reduced
to its simplest terms in numbers and species, and
the absence of concealing foliage, together with the
usual tameness of winter birds, makes identification
an easy matter.
In January and the succeeding month
we have with us birds which are called permanent residents,
which do not leave us throughout the entire year;
and, in addition, the winter visitors which have come
to us from the far north.
In the uplands we may flush ruffed
grouse from their snug retreats in the snow; while
in the weedy fields, many a fairy trail shows where
bob-white has passed, and often he will announce his
own name from the top of a rail fence. The grouse
at this season have a curious outgrowth of horny scales
along each side of the toes, which, acting as a tiny
snowshoe, enables them to walk on soft snow with little
danger of sinking through.
Few of our winter birds can boast
of bright colours; their garbs are chiefly grays and
browns, but all have some mark or habit or note by
which they can be at once named. For example,
if you see a mouse hitching spirally up a tree-trunk,
a closer look will show that it is a brown creeper,
seeking tiny insects and their eggs in the crevices
of the trunk. He looks like a small piece of
the roughened bark which has suddenly become animated.
His long tail props him up and his tiny feet never
fail to find a foothold. Our winter birds go
in flocks, and where we see a brown creeper we are
almost sure to find other birds.
Nuthatches are those blue-backed,
white or rufous breasted little climbers who spend
their lives defying the law of gravity. They need
no supporting tail, and have only the usual number
of eight toes, but they traverse the bark, up or down,
head often pointing toward the ground, as if their
feet were small vacuum cups. Their note is an
odd nasal nyeh! nyeh!
In winter some one species of bird
usually predominates, most often, perhaps, it is the
black-capped chickadee. They seem to fill every
grove, and, if you take your stand in the woods, flock
after flock will pass in succession. What good
luck must have come to the chickadee race during the
preceding summer? Was some one of their enemies
stricken with a plague, or did they show more than
usual care in the selecting of their nesting holes?
Whatever it was, during such a year, it seems certain
that scores more of chickadee babies manage to live
to grow up than is usually the case. These little
fluffs are, in their way, as remarkable acrobats as
are the nuthatches, and it is a marvel how the very
thin legs, with their tiny sliver of bone and thread
of tendon, can hold the body of the bird in almost
any position, while the vainly hidden clusters of
insect eggs are pried into. Without ceasing a
moment in their busy search for food, the fluffy feathered
members of the flock call to each other, “Chick-a-chick-a-dee-dee!”
but now and then the heart of some little fellow bubbles
over, and he rests an instant, sending out a sweet,
tender, high call, a “Phoe-be!”
love note, which warms our ears in the frosty air
and makes us feel a real affection for the brave little
mites.
Our song sparrow is, like the poor,
always with us, at least near the coast, but we think
none the less of him for that, and besides, that fact
is true in only one sense. A ripple in a stream
may be seen day after day, and yet the water forming
it is never the same, it is continually flowing onward.
This is usually the case with song sparrows and with
most other birds which are present summer and winter.
The individual sparrows which flit from bush to bush,
or slip in and out of the brush piles in January,
have doubtless come from some point north of us, while
the song sparrows of our summer walks are now miles
to the southward. Few birds remain the entire
year in the locality in which they breed, although
the southward movement may be a very limited one.
When birds migrate so short a distance, they are liable
to be affected in colour and size by the temperature
and dampness of their respective areas; and so we find
that in North America there are as many as twenty-two
races of song sparrows, to each of which has been
given a scientific name. When you wish to speak
of our northeastern song sparrow in the latest scientific
way, you must say Melospiza cinerea melodia,
which tells us that it is a melodious song finch,
ashy or brown in colour.
Our winter sparrows are easy to identify.
The song sparrow may, of course, be known by the streaks
of black and brown upon his breast and sides, and
by the blotch which these form in the centre of the
breast. The tree sparrow, which comes to us from
Hudson Bay and Labrador, lacks the stripes, but has
the centre spot. This is one of our commonest
field birds in winter, notwithstanding his name.
The most omnipresent and abundant
of all our winter visitors from the north are the
juncos, or snowbirds. Slate coloured above
and white below, perfectly describes these birds,
although their distinguishing mark, visible a long
way off, is the white V in their tails, formed by several
white outer feathers on each side. The sharp chirps
of juncos are heard before the ice begins to
form, and they stay with us all winter.
We have called the junco a snowbird,
but this name should really be confined to a black
and white bunting which comes south only with a mid-winter’s
rush of snowflakes. Their warm little bodies nestle
close to the white crystals, and they seek cheerfully
for the seeds which nature has provided for them.
Then a thaw comes, and they disappear as silently
and mysteriously as if they had melted with the flakes;
but doubtless they are far to the northward, hanging
on the outskirts of the Arctic storms, and giving
way only when every particle of food is frozen tight,
the ground covered deep with snow, and the panicled
seed clusters locked in crystal frames of ice.
The feathers of these Arctic wanderers
are perfect non-conductors of heat and of cold, and
never a chill reaches their little frames until hunger
presses. Then they must find food and quickly,
or they die. When these snowflakes first come
to us they are tinged with gray and brown, but gradually
through the winter their colours become more clear-cut
and brilliant, until, when spring comes, they are
garbed in contrasting black and white. With all
this change, however, they leave never a feather with
us, but only the minute brown tips of the feather vanes,
which, by wearing away, leave exposed the clean new
colours beneath.
Thus we find that there are problems
innumerable to verify and to solve, even when the
tide of the year’s life is at its lowest ebb.
From out the white
and pulsing storm
I hear the snowbirds calling;
The sheeted winds stalk o’er
the hills,
And fast the snow is falling.
On twinkling wings
they eddy past,
At home amid the drifting,
Or seek the hills and weedy fields
Where fast the snow is sifting.
Their coats are dappled
white and brown
Like fields in winter weather,
But on the azure sky they float
Like snowflakes knit together.
I’ve heard them
on the spotless hills
Where fox and hound were playing,
The while I stood with eager ear
Bent on the distant baying.
The unmown fields are
their preserves,
Where weeds and grass are seeding;
They know the lure of distant stacks
Where houseless herds are feeding.
JohnBurroughs.
WINTER MARVELS
Let us suppose that a heavy snow has
fallen and that we have been a-birding in vain.
For once it seems as if all the birds had gone the
way of the butterflies. But we are not true bird-lovers
unless we can substitute nature for bird whenever
the occasion demands; specialisation is only for the
ultra-scientist.
There is more to be learned in a snowy
field than volumes could tell. There is the tangle
of footprints to unravel, the history of the pastimes
and foragings and tragedies of the past night writ
large and unmistakable. Though the sun now shines
brightly, we can well imagine the cold darkness of
six hours ago; we can reconstruct the whole scene from
those tiny tracks, showing frantic leaps, the indentation
of two wing-tips, a speck of blood.
But let us take a bird’s-eye view of things,
from a bird’s-head height; that is, lie flat
upon a board or upon the clean, dry crystals and see
what wonders we have passed by all our lives.
Take twenty square feet of snow with
a streamlet through the centre, and we have an epitome
of geological processes and conditions. With chin
upon mittens and mittens upon the crust, the eye opens
upon a new world. The half-covered rivulet becomes
a monster glacier-fed stream, rushing down through
grand canyons and caves, hung with icy stalactites.
Bit by bit the walls are undermined and massive icebergs
become detached and are whirled away. As for
moraines, we have them in plenty; only the windrows
of thousands upon thousands of tiny seeds of which
they are composed, are not permanent, but change their
form and position with every strong gust of wind.
And with every gust too their numbers increase, the
harvest of the weeds being garnered here, upon barren
ground. No wonder the stream will be hidden from
view next summer, when the myriad seeds sprout and
begin to fight upward for light and air.
If we cannot hope for polar bears
to complete our Arctic scene, we may thrill at the
sight of a sinuous weasel, winding his way among the
weeds; and if we look in vain for swans, we at least
may rejoice in a whirling, white flock of snow buntings.
A few flakes fall gently upon our
sleeve and another world opens before us. A small
hand-lens will be of service, although sharp eyes may
dispense with it. Gather a few recently fallen
flakes upon a piece of black cloth, and the lens will
reveal jewels more beautiful than any ever fashioned
by the hand of man. Six-pointed crystals, always
hexagonal, of a myriad patterns, leave us lost in
wonderment when we look out over the white landscape
and think of the hidden beauty of it all. The
largest glacier of Greenland or Alaska is composed
wholly of just such crystals whose points have melted
and which have become ice.
We may draw or photograph scores of
these beautiful crystals and never duplicate a figure.
Some are almost solid and tabular, others are simple
stars or fern-branched. Then we may detect compound
forms, crystals within crystals, and, rarest of all,
doubles, where two different forms appear as joined
together by a tiny pillar. In all of these we
have an epitome of the crystals of the rocks beneath
our feet, only in their case the pressure has moulded
them into straight columns, while the snow, forming
unhindered in midair, resolves itself into these exquisite
forms and floral designs. Flowers and rocks are
not so very unlike after all.
Few of us can observe these wonderful
forms without feeling the poetry of it all. Thoreau
on the fifth day of January, 1856, writes as follows:...
“The thin snow now driving from the north and
lodging on my coat consists of those beautiful star
crystals, not cottony and chubby spokes as on the
13th of December, but thin and partly transparent crystals.
They are about one tenth of an inch in diameter, perfect
little wheels with six spokes, without a tire, or
rather with six perfect little leaflets, fern-like,
with a distinct, straight, slender midrib raying from
the centre. On each side of each midrib there
is a transparent, thin blade with a crenate edge.
How full of the creative genius is the air in which
these are generated! I should hardly admire more
if real stars fell and lodged on my coat. Nature
is full of genius, full of the divinity, so that not
a snowflake escapes its fashioning hand. Nothing
is cheap and coarse, neither dewdrops nor snowflakes.
Soon the storm increases (it was already very severe
to face), and the snow becomes finer, more white and
powdery.
“Who knows but this is the original
form of all snowflakes, but that, when I observe these
crystal stars falling around me, they are only just
generated in the low mist next the earth. I am
nearer to the source of the snow, its primal auroral,
and golden hour of infancy; commonly the flakes reach
us travel-worn and agglomerated, comparatively, without
order or beauty, far down in their fall, like men
in their advanced age. As for the circumstances
under which this occurs, it is quite cold, and the
driving storm is bitter to face, though very little
snow is falling. It comes almost horizontally
from the north.... A divinity must have stirred
within them, before the crystals did thus shoot and
set: wheels of the storm chariots. The same
law that shapes the earth and the stars shapes the
snowflake. Call it rather snow star. As surely
as the petals of a flower are numbered, each of these
countless snow stars comes whirling to earth, pronouncing
thus with emphasis the number six, order, [Greek:
cosmos]. This was the beginning of a storm which
reached far and wide, and elsewhere was more severe
than here. On the Saskatchewan, where no man of
science is present to behold, still down they come,
and not the less fulfil their destiny, perchance melt
at once on the Indian’s face. What a world
we live in, where myriads of these little discs, so
beautiful to the most prying eye, are whirled down
on every traveller’s coat, the observant and
the unobservant, on the restless squirrel’s fur,
on the far-stretching fields and forests, the wooded
dells and the mountain tops. Far, far away from
the haunts of men, they roll down some little slope,
fall over and come to their bearings, and melt or
lose their beauty in the mass, ready anon to swell
some little rill with their contribution, and so, at
last, the universal ocean from which they came.
There they lie, like the wreck of chariot wheels after
a battle in the skies. Meanwhile the meadow mouse
shoves them aside in his gallery, the schoolboy casts
them in his ball, or the woodman’s sled glides
smoothly over them, these glorious spangles, the sweepings
of heaven’s floor. And they all sing, melting
as they sing, of the mysteries of the number six;
six, six, six. He takes up the waters of the
sea in his hand, leaving the salt; he disperses it
in mist through the skies; he re-collects and sprinkles
it like grain in six-rayed snowy stars over the earth,
there to lie till he dissolves its bonds again.”
But here is a bit of snow which seems
less pure, with grayish patches here and there.
Down again to sparrow-level and bring the glass to
bear. Your farmer friend will tell you that they
are snow-fleas which are snowed down with the flakes;
the entomologist will call them Achorutes nivicola
and he knows that they have prosaically wiggled their
way from the crevices of bark on the nearest tree-trunk.
One’s thrill of pleasure at this unexpected
discovery will lead one to adopt sparrow-views whenever
larger game is lacking.
I walked erstwhile upon thy frozen
waves,
And heard the streams amid thy ice-locked
caves;
I peered down thy crevasses blue and dim,
Standing in awe upon the dizzy rim.
Beyond me lay the inlet still and blue,
Behind, the mountains loomed upon the view
Like storm-wraiths gathered from the low-hung
sky.
A gust of wind swept past with heavy sigh,
And lo! I listened to the ice-stream’s
song
Of winter when the nights grow dark and
long,
And bright stars flash above thy fields
of snow,
The cold waste sparkling in the pallid
glow.
Charles
Keeler.
CEDAR BIRDS AND BERRIES
Keep sharp eyes upon the cedar groves
in mid-winter, and sooner or later you will see the
waxwings come, not singly or in pairs, but by dozens,
and sometimes in great flocks. They will well
repay all the watching one gives them. The cedar
waxwing is a strange bird, with a very pronounced
species-individuality, totally unlike any other bird
of our country. When feeding on their favourite
winter berries, these birds show to great advantage;
the warm rich brown of the upper parts and of the crest
contrasting with the black, scarlet, and yellow, and
these, in turn, with the dark green of the cedar and
the white of the snow.
The name waxwing is due to the scarlet
ornaments at the tips of the lesser flight feathers
and some of the tail feathers, which resemble bits
of red sealing wax, but which are really the bare,
flattened ends of the feather shafts. Cherry-bird
is another name which is appropriately applied to the
cedar waxwing.
These birds are never regular in their
movements, and they come and go without heed to weather
or date. They should never be lightly passed by,
but their flocks carefully examined, lest among their
ranks may be hidden a Bohemian chatterer a
stately waxwing larger than common and even more beautiful
in hue, whose large size and splashes of white upon
its wings will always mark it out.
This bird is one of our rarest of
rare visitors, breeding in the far north; and even
in its nest and eggs mystery enshrouds it. Up
to fifty years ago, absolutely nothing was known of
its nesting habits, although during migration Bohemian
chatterers are common all over Europe. At last
Lapland was found to be their home, and a nest has
been found in Alaska and several others in Labrador.
My only sight of these birds was of a pair perched
in an elm tree in East Orange, New Jersey; but I will
never forget it, and will never cease to hope for
another such red-letter day.
The movements of the cedar waxwings
are as uncertain in summer as they are in winter;
they may be common in one locality for a year or two,
and then, apparently without reason, desert it.
At this season they feed on insects instead of berries,
and may be looked for in small flocks in orchard or
wood. The period of nesting is usually late, and,
in company with the goldfinches, they do not begin
their housekeeping until July and August. Unlike
other birds, waxwings will build their nests of almost
anything near at hand, and apparently in any growth
which takes their fancy, apple, oak, or
cedar. The nests are well constructed, however,
and often, with their contents, add another background
of a most pleasing harmony of colours. A nest
composed entirely of pale green hanging moss, with
eggs of bluish gray, spotted and splashed with brown
and black, guarded by a pair of these exquisite birds,
is a sight to delight the eye.
When the young have left the nest,
if alarmed by an intruder, they will frequently, trusting
to their protective dress of streaky brown, freeze
into most unbird-like attitudes, drawing the feathers
close to the body and stretching the neck stiffly
upward, almost bittern-like. Undoubtedly
other interesting habits which these strangely picturesque
birds may possess are still awaiting discovery by some
enthusiastic observer with a pair of opera-glasses
and a stock of that ever important characteristic patience.
Although, during the summer months,
myriads of insects are killed and eaten by the cedar
waxwings, yet these birds are preeminently berry eaters, choke-cherries,
cedar berries, blueberries, and raspberries being
preferred. Watch a flock of these birds in a cherry
tree, and you will see the pits fairly rain down.
We need not place our heads, a la Newton, in
the path of these falling stones to deduce some interesting
facts, indeed to solve the very destiny
of the fruit. Many whole cherries are carried
away by the birds to be devoured elsewhere, or we may
see parent waxwing filling their gullets with ten
or a dozen berries and carrying them to the eager
nestlings.
Thus is made plain the why and the
wherefore of the coloured skin, the edible flesh,
and the hidden stone of the fruit. The conspicuous
racemes of the choke-cherries, or the shining scarlet
globes of the cultivated fruit, fairly shout aloud
to the birds “Come and eat us, we’re
as good as we look!” But Mother Nature looks
on and laughs to herself. Thistle seeds are blown
to the land’s end by the wind; the heavier ticks
and burrs are carried far and wide upon the furry
coats of passing creatures; but the cherry could not
spread its progeny beyond a branch’s length,
were it not for the ministrations of birds. With
birds, as with some other bipeds, the shortest way
to the heart is through the stomach, and a choke-cherry
tree in full blaze of fruit is always a natural aviary.
Where a cedar bird has built its nest, there look
some day to see a group of cherry trees; where convenient
fence-perches along the roadside lead past cedar groves,
there hope before long to see a bird-planted avenue
of cedars. And so the marvels of Nature go on
evolving, wheels within wheels.
THE DARK DAYS OF INSECT LIFE
Sometimes by too close and confining
study of things pertaining to the genus Homo,
we perchance find ourselves complacently wondering
if we have not solved almost all the problems of this
little whirling sphere of water and earth. Our
minds turn to the ultra questions of atoms and ions
and rays and our eyes strain restlessly upward toward
our nearest planet neighbour, in half admission that
we must soon take up the study of Mars from sheer
lack of earthly conquest.
If so minded, hie you to the nearest
grove and, digging down through the mid-winter’s
snow, bring home a spadeful of leaf-mould. Examine
it carefully with hand-lens and microscope, and then
prophesy what warmth and light will bring forth.
“Watch the unfolding life of plant and animal,
and then come from your planet-yearning back to earth,
with a humbleness born of a realisation of our vast
ignorance of the commonest things about us.”
Though the immediate mysteries of
the seed and the egg baffle us, yet the most casual
lover of God’s out-of-doors may hopefully attempt
to solve the question of some of the winter homes
of insects. Think of the thousands upon thousands
of eggs and pupae which are hidden in every grove;
what catacombs of bug mummies yonder log conceals, mummies
whose resurrection will be brought about by the alchemy
of thawing sunbeams. Follow out the suggestion
hinted at above and place a handkerchief full of frozen
mould or decayed wood in a white dish, and the tiny
universe which will gradually unfold before you will
provide many hours of interest. But remember
your responsibilities in so doing, and do not let the
tiny plant germs languish and die for want of water,
or the feeble, newly-hatched insects perish from cold
or lack a bit of scraped meat.
Cocoons are another never-ending source
of delight. If you think that there are no unsolved
problems of the commonest insect life around us, say
why it is that the moths and millers pass the winter
wrapped in swaddling clothes of densest textures,
roll upon roll of silken coverlets; while our delicate
butterflies hang uncovered, suspended only by a single
loop of silk, exposed to the cold blast of every northern
gale? Why do the caterpillars of our giant moths the
mythologically named Cecropia, Polyphemus, Luna, and
Prometheus show such individuality in the
position which they choose for their temporary shrouds?
Protection and concealment are the watchwords held
to in each case, but how differently they are achieved!
Cecropia that beauty whose
wings, fully six inches across, will flap gracefully
through the summer twilight weaves about
himself a half oval mound, along some stem or tree-trunk,
and becomes a mere excrescence the veriest
unedible thing a bird may spy. Polyphemus wraps
miles of finest silk about his green worm-form (how,
even though we watch him do it, we can only guess);
weaving in all the surrounding leaves he can reach.
This, of course, before the frosts come, but when
the leaves at last shrivel, loosen, and their pétioles
break, it is merely a larger brown nut than usual
that falls to the ground, the kernel of which will
sprout next June and blossom into the big moth of
delicate fawn tints, feathery horned, with those strange
isinglass windows in his hind wings.
Luna the weird, beautiful
moon-moth, whose pale green hues and long graceful
streamers make us realise how much beauty we miss if
we neglect the night life of summer when
clad in her temporary shroud of silk, sometimes falls
to the ground, or again the cocoon remains in the tree
or bush where it was spun.
But Prometheus, the smallest of the
quartet, has a way all his own. The elongated
cocoon, looking like a silken finger, is woven about
a leaf of sassafras. Even the long stem of the
leaf is silk-girdled, and a strong band is looped
about the twig to which the leaf is attached.
Here, when all the leaves fall, he hangs, the plaything
of every breeze, attracting the attention of all the
hungry birds. But little does Prometheus care.
Sparrows may hover about him and peck in vain; chickadees
may clutch the dangling finger and pound with all
their tiny might. Prometheus is “bound,”
indeed, and merely swings the faster, up and down,
from side to side.
It is interesting to note that when
two Prometheus cocoons, fastened upon their twigs,
were suspended in a large cageful of native birds,
it took a healthy chickadee just three days of hard
pounding and unravelling to force a way through the
silken envelopes to the chrysalids within. Such
long continued and persistent labour for so comparatively
small a morsel of food would not be profitable or
even possible out-of-doors in winter. The bird
would starve to death while forcing its way through
the protecting silk.
These are only four of the many hundreds
of cocoons, from the silken shrouds on the topmost
branches to the jugnecked chrysalis of a sphinx moth offering
us the riddle of a winter’s shelter buried in
the cold, dark earth.
Is everything frozen tight? Has
Nature’s frost mortar cemented every stone in
its bed? Then cut off the solid cups of the pitcher
plants, and see what insects formed the last meal
of these strange growths, ants, flies,
bugs, encased in ice like the fossil insects caught
in the amber sap which flowed so many thousands of
years ago.
When the fierce northwestern
blast
Cools sea and land so far and fast,
Thou already slumberest deep;
Woe and want thou canst outsleep.
Emerson.
CHAMELEONS IN FUR AND FEATHER
The colour of things in nature has
been the subject of many volumes and yet it may be
truthfully said that no two naturalists are wholly
agreed on the interpretation of the countless hues
of plants and animals. Some assert that all alleged
instances of protective colouring and mimicry are
merely the result of accident; while at the opposite
swing of the pendulum we find theories, protective
and mimetic, for the colours of even the tiny one-celled
green plants which cover the bark of trees! Here
is abundant opportunity for any observer of living
nature to help toward the solution of these problems.
In a battle there are always two sides
and at its finish one side always runs away while
the other pursues. Thus it is in the wars of nature,
only here the timid ones are always ready to flee,
while the strong are equally prepared to pursue.
It is only by constant vigilance that the little mice
can save themselves from disappearing down the throats
of their enemies, as under cover of darkness they
snatch nervous mouthfuls of grain in the fields, and
hence their gray colour and their large, watchful eyes;
but on the other hand, the baby owls in their hollow
tree would starve if the parents were never able to
swoop down in the darkness and surprise a mouse now
and then, hence the gray plumage and great
eyes of the parent owls.
The most convincing proof of the reality
of protective coloration is in the change of plumage
or fur of some of the wild creatures to suit the season.
In the far north, the grouse or ptarmigan, as they
are called, do not keep feathers of the same colour
the year round, as does our ruffed grouse; but change
their dress no fewer than three times. When rocks
and moss are buried deep beneath the snow, and a keen-eyed
hawk appears, the white-feathered ptarmigan crouches
and becomes an inanimate mound. Later in the
year, with the increasing warmth, patches of gray and
brown earth appear, and simultaneously, as if its
feathers were really snowflakes, splashes of brown
replace the pure white of the bird’s plumage,
and equally baffle the eye. Seeing one of these
birds by itself, we could readily tell, from the colour
of its plumage, the time of year and general aspect
of the country from which it came. Its plumage
is like a mirror which reflects the snow, the moss,
or the lichens in turn. It is, indeed, a feathered
chameleon, but with changes of colour taking place
more slowly than is the case in the reptile.
We may discover changes somewhat similar,
but furry instead of feathery, in the woods about
our home. The fiercest of all the animals of our
continent still evades the exterminating inroads of
man; indeed it often puts his traps to shame, and
wages destructive warfare in his very midst.
I speak of the weasel, the least of all
his family, and yet, for his size, the most bloodthirsty
and widely dreaded little demon of all the countryside.
His is a name to conjure with among all the lesser
wood-folk; the scent of his passing brings an almost
helpless paralysis. And yet in some way he must
be handicapped, for his slightly larger cousin, the
mink, finds good hunting the year round, clad in a
suit of rich brown; while the weasel, at the approach
of winter, sheds his summer dress of chocolate hue
and dons a pure white fur, a change which would seem
to put the poor mice and rabbits at a hopeless disadvantage.
Nevertheless the ermine, as he is now called (although
wrongly so), seems just able to hold his own, with
all his evil slinking motions and bloodthirsty desires;
for foxes, owls, and hawks take, in their turn, heavy
toll. Nature is ever a repetition of the “House
that Jack built"; this is the owl that ate
the weasel that killed the mouse, and so on.
The little tail-tips of milady’s
ermine coat are black; and herein lies an interesting
fact in the coloration of the weasel and one that,
perhaps, gives a clue to some other hitherto inexplicable
spots and markings on the fur, feathers, skin, and
scales of wild creatures. Whatever the season,
and whatever the colour of the weasel’s coat, brown
or white, the tip of the tail remains always
black. This would seem, at first thought, a very
bad thing for the little animal. Knowing so little
of fear, he never tucks his tail between his legs,
and, when shooting across an open expanse of snow,
the black tip ever trailing after him would seem to
mark him out for destruction by every observing hawk
or fox.
But the very opposite is the case
as Mr. Witmer Stone so well relates. “If
you place a weasel in its winter white on new-fallen
snow, in such a position that it casts no shadow,
you will find that the black tip of the tail catches
your eye and holds it in spite of yourself, so that
at a little distance it is very difficult to follow
the outline of the rest of the animal. Cover
the tip of the tail with snow and you can see the rest
of the weasel itself much more clearly; but as long
as the black point is in sight, you see that, and
that only.
“If a hawk or owl, or any other
of the larger hunters of the woodland, were to give
chase to a weasel and endeavour to pounce upon it,
it would in all probability be the black tip of the
tail it would see and strike at, while the weasel,
darting ahead, would escape. It may, morever,
serve as a guide, enabling the young weasels to follow
their parents more readily through grass and brambles.
“One would suppose that this
beautiful white fur of winter, literally as white
as the snow, might prove a disadvantage at times by
making its owner conspicuous when the ground is bare
in winter, as it frequently is even in the North;
yet though weasels are about more or less by day, you
will seldom catch so much as a glimpse of one at such
times, though you may hear their sharp chirrup close
at hand. Though bold and fearless, they have
the power of vanishing instantly, and the slightest
alarm sends them to cover. I have seen one standing
within reach of my hand in the sunshine on the exposed
root of a tree, and while I was staring at it, it vanished
like the flame of a candle blown out, without leaving
me the slightest clue as to the direction it had taken.
All the weasels I have ever seen, either in the woods
or open meadows, disappeared in a similar manner.”
To add to the completeness of proof
that the change from brown to white is for protection, in
the case of the weasel, both to enable it to escape
from the fox and to circumvent the rabbit, the
weasels in Florida, where snow is unknown, do not
change colour, but remain brown throughout the whole
year.