The day wasted away in Beaton’s
hands; at half-past four o’clock he went out
to tea at the house of a lady who was At Home that
afternoon from four till seven. By this time
Beaton was in possession of one of those other selves
of which we each have several about us, and was again
the laconic, staccato, rather worldlified young artist
whose moments of a controlled utterance and a certain
distinction of manner had commended him to Mrs. Horn’s
fancy in the summer at St. Barnaby.
Mrs. Horn’s rooms were large,
and they never seemed very full, though this perhaps
was because people were always so quiet. The ladies,
who outnumbered the men ten to one, as they always
do at a New York tea, were dressed in sympathy with
the low tone every one spoke in, and with the subdued
light which gave a crepuscular uncertainty to the few
objects, the dim pictures, the unexcited upholstery,
of the rooms. One breathed free of bric-a-brac
there, and the new-comer breathed softly as one does
on going into church after service has begun.
This might be a suggestion from the voiceless behavior
of the man-servant who let you in, but it was also
because Mrs. Horn’s At Home was a ceremony, a
decorum, and not festival. At far greater houses
there was more gayety, at richer houses there was
more freedom; the suppression at Mrs. Horn’s
was a personal, not a social, effect; it was an efflux
of her character, demure, silentious, vague, but very
correct.
Beaton easily found his way to her
around the grouped skirts and among the detached figures,
and received a pressure of welcome from the hand which
she momentarily relaxed from the tea-pot. She
sat behind a table put crosswise of a remote corner,
and offered tea to people whom a niece of hers received
provisionally or sped finally in the outer room.
They did not usually take tea, and when they did they
did not usually drink it; but Beaton was, feverishly
glad of his cup; he took rum and lemon in it, and
stood talking at Mrs. Horn’s side till the next
arrival should displace him: he talked in his
French manner.
“I have been hoping to see you,”
she said. “I wanted to ask you about the
Leightons. Did they really come?”
“I believe so. They are
in town yes. I haven’t seen them.”
“Then you don’t know how
they’re getting on that pretty creature,
with her cleverness, and poor Mrs. Leighton?
I was afraid they were venturing on a rash experiment.
Do you know where they are?”
“In West Eleventh Street somewhere.
Miss Leighton is in Mr. Wetmore’s class.”
“I must look them up. Do you know their
number?”
“Not at the moment. I can find out.”
“Do,” said Mrs. Horn.
“What courage they must have, to plunge into
New York as they’ve done! I really didn’t
think they would. I wonder if they’ve succeeded
in getting anybody into their house yet?”
“I don’t know,” said Beaton.
“I discouraged their coming
all I could,” she sighed, “and I suppose
you did, too. But it’s quite useless trying
to make people in a place like St. Barnaby understand
how it is in town.”
“Yes,” said Beaton.
He stirred his tea, while inwardly he tried to believe
that he had really discouraged the Leightons from coming
to New York. Perhaps the vexation of his failure
made him call Mrs. Horn in his heart a fraud.
“Yes,” she went on, “it
is very, very hard. And when they won’t
understand, and rush on their doom, you feel that they
are going to hold you respons ”
Mrs. Horn’s eyes wandered from
Beaton; her voice faltered in the faded interest of
her remark, and then rose with renewed vigor in greeting
a lady who came up and stretched her glove across
the tea-cups.
Beaton got himself away and out of
the house with a much briefer adieu to the niece than
he had meant to make. The patronizing compassion
of Mrs. Horn for the Leightons filled him with indignation
toward her, toward himself. There was no reason
why he should not have ignored them as he had done;
but there was a feeling. It was his nature to
be careless, and he had been spoiled into recklessness;
he neglected everybody, and only remembered them when
it suited his whim or his convenience; but he fiercely
resented the inattentions of others toward himself.
He had no scruple about breaking an engagement or
failing to keep an appointment; he made promises without
thinking of their fulfilment, and not because he was
a faithless person, but because he was imaginative,
and expected at the time to do what he said, but was
fickle, and so did not. As most of his shortcomings
were of a society sort, no great harm was done to
anybody else. He had contracted somewhat the circle
of his acquaintance by what some people called his
rudeness, but most people treated it as his oddity,
and were patient with it. One lady said she valued
his coming when he said he would come because it had
the charm of the unexpected. “Only it shows
that it isn’t always the unexpected that happens,”
she explained.
It did not occur to him that his behavior
was immoral; he did not realize that it was creating
a reputation if not a character for him. While
we are still young we do not realize that our actions
have this effect. It seems to us that people
will judge us from what we think and feel. Later
we find out that this is impossible; perhaps we find
it out too late; some of us never find it out at all.
In spite of his shame about the Leightons,
Beaton had no present intention of looking them up
or sending Mrs. Horn their address. As a matter
of fact, he never did send it; but he happened to meet
Mr. Wetmore and his wife at the restaurant where he
dined, and he got it of the painter for himself.
He did not ask him how Miss Leighton was getting on;
but Wetmore launched out, with Alma for a tacit text,
on the futility of women generally going in for art.
“Even when they have talent they’ve got
too much against them. Where a girl doesn’t
seem very strong, like Miss Leighton, no amount of
chic is going to help.”
His wife disputed him on behalf of
her sex, as women always do.
“No, Dolly,” he persisted;
“she’d better be home milking the cows
and leading the horse to water.”
Do you think she’d better be
up till two in the morning at balls and going all
day to receptions and luncheons?”
“Oh, guess it isn’t a
question of that, even if she weren’t drawing.
You knew them at home,” he said to Beaton.
“Yes.”
“I remember. Her mother
said you suggested me. Well, the girl has some
notion of it; there’s no doubt about that.
But she’s a woman. The trouble
with these talented girls is that they’re all
woman. If they weren’t, there wouldn’t
be much chance for the men, Beaton. But we’ve
got Providence on our own side from the start.
I’m able to watch all their inspirations with
perfect composure. I know just how soon it’s
going to end in nervous breakdown. Somebody ought
to marry them all and put them out of their misery.”
“And what will you do with your
students who are married already?” his wife
said. She felt that she had let him go on long
enough.
“Oh, they ought to get divorced.”
“You ought to be ashamed to
take their money if that’s what you think of
them.”
“My dear, I have a wife to support.”
Beaton intervened with a question.
“Do you mean that Miss Leighton isn’t
standing it very well?”
“How do I know? She isn’t
the kind that bends; she’s the kind that breaks.”
After a little silence Mrs. Wetmore
asked, “Won’t you come home with us, Mr.
Beaton?”
“Thank you; no. I have an engagement.”
“I don’t see why that
should prevent you,” said Wetmore. “But
you always were a punctilious cuss. Well!”
Beaton lingered over his cigar; but
no one else whom he knew came in, and he yielded to
the threefold impulse of conscience, of curiosity,
of inclination, in going to call at the Leightons’.
He asked for the ladies, and the maid showed him into
the parlor, where he found Mrs. Leighton and Miss
Woodburn.
The widow met him with a welcome neatly
marked by resentment; she meant him to feel that his
not coming sooner had been noticed. Miss Woodburn
bubbled and gurgled on, and did what she could to mitigate
his punishment, but she did not feel authorized to
stay it, till Mrs. Leighton, by studied avoidance
of her daughter’s name, obliged Beaton to ask
for her. Then Miss Woodburn caught up her work,
and said, “Ah’ll go and tell her, Mrs.
Leighton.” At the top of the stairs she
found Alma, and Alma tried to make it seem as if she
had not been standing there. “Mah goodness,
chald! there’s the handsomest young man asking
for you down there you evah saw. Alh told you’
mothah Ah would come up fo’ you.”
“What who is it?”
“Don’t you know?
But bo’ could you? He’s got the
most beautiful eyes, and he wea’s his hai’
in a bang, and he talks English like it was something
else, and his name’s Mr. Beaton.”
“Did he-ask for me?” said
Alma, with a dreamy tone. She put her hand on
the stairs rail, and a little shiver ran over her.
“Didn’t I tell you?
Of coase he did! And you ought to go raght down
if you want to save the poo’ fellah’s
lahfe; you’ mothah’s just freezin’
him to death.”