Beatrix’s principles extended even to the point of observing her day at home. Society was bidden, the next afternoon, to a tea at Mrs. Stanley’s, and Beatrix was absolutely certain that none of her friends would cross the intervening forty blocks in order to look in upon her, going or coming. In her secret heart, she longed to follow society; instead, she was sitting in solitude, when Thayer was announced.

She rose to greet him with a cordial friendliness, for the past six months had made a great change in their outward relations. They had liked each other from the day of Mrs. Stanley’s recital, and the liking had increased with each subsequent meeting. During the next few weeks, they had met often. Lorimer insisted upon going to every recital at which Thayer was to sing, and under his guidance Beatrix had gained a fair idea of what went on behind the scenes. Thayer, meanwhile, had swiftly assumed his own place in society, and discerning hostesses generally found it well to put him near to Beatrix at dinner. Owing to his many evening engagements, Thayer usually ate but sparingly, so it was all the more necessary that he should be placed within range of someone with whom he cared to talk. He rarely lent himself to the usual run of social badinage; but retired into his shell whenever it became the dominant note of the conversation. A man of his bulk and prominence and potential boredom was an object of hospitable consideration. He could always talk to Beatrix, for she never chattered. Therefore he was generally to be found somewhere within the conversational radius of Beatrix Dane.

The tea table of Beatrix, moreover, had become one of the focal points of his New York life. He liked the cheery, informal atmosphere of the house whose old-fashioned austerity was tempered with a dash of modern frivolity; he liked the people he met there, people too assured of their own social position to be touchy upon slight points of social precedence. Most of all, he liked Beatrix Dane, herself. In the gay, chattering multitude among whom she moved, her own steadfast quietness stood out in bold relief, and it answered to certain traits of his own Puritanism. It was not that she was dull, or overfreighted with conscience. She frisked with the others of her kind; but her friskiness was intermittent and never frivolous. To Beatrix Dane, pleasure was an interlude, never the sole end and aim of life. And, on her own side, Beatrix felt a thorough admiration for the clean-minded, clean-bodied singer, a thorough reliance upon his judgment and upon his loyalty to anyone to whom he vouchsafed his friendship.

This had been the relation between them, on the evening of the concert for the Fresh Air Fund, a relation whose cordial matter-of-factness was in no way disturbed by the potent spell of Thayer’s voice. Beatrix had spent much of her life in the open air; she was too healthy to be given to self-analysis. She admitted to herself the wonderful power of Thayer’s voice, the passionate appeal of certain of his songs; but she made a curiously sharp distinction between the man and the voice. The one might be a strong guiding force in the current of her life; the other was a rising tide that swept her from her moorings and left her drifting to and fro over stormy seas. On the night of the Fresh Air Fund concert, for the first time in her experience, these two personalities had become inextricably intermingled. As she had said, she had never before realized the possibilities of either Thayer or his voice.

Everything had conspired to produce the impression. All day long, she had been haunted by a nervous, nameless dread. The vague hints and signs of the past months had suddenly gathered to a nucleus of anxiety and alarm, and, in spite of her rigid self-control, she had been terrified into giving the one outcry, partly to satisfy her feminine need for sympathy, partly with the hope of putting Lorimer upon his guard. The sympathy had come, prompt and loving; the warning had been utterly ignored.

Music ought to be taken with fasting and prayer. Quiet nerves and a full stomach are deaf to its deepest meaning. To most of the audience, Honor and Arms stood as a superb piece of vocal gymnastics; to Beatrix, Thayer was like a live wire, pulsing with a virile scorn of any but uneven contests, defiant only of those mightier than himself. To her mind, he was ready to court heavy odds, bound to conquer them, one and all; and her own pulses beat faster in time to the half-barbarous outburst which ends the great aria. The Gade concerto, instead of soothing her, had only exasperated her. She longed to get behind the violinist and the orchestra and even the composer himself, and goad them into some tenseness of emotion. But the Slavonic Dance had set her heart bounding once more, until her very finger tips tingled with the blood racing through them, and the clashing cymbals had seemed scarcely louder than the ringing of her own ears. The rest had been only the natural sequel; Danny and Arlt’s failure had led inevitably up to the finale when Thayer’s eyes, burning with that new, strange light, had held her own eyes captive while he had sounded the tragic note which dominates all human love.

And the finale had not been final, after all. She had had a vague presentiment that the cross might be at the end; she had been totally unprepared to find it pressed to her lips, that selfsame night.

With a swift excuse, Thayer had hurried her back into the music-room; but he had not been able to prevent that one instant when Beatrix had found herself face to face with a Lorimer she had never known till then. Though her eyes had betrayed her horror of the scene, she had kept her voice steady as she asked Thayer to call her carriage and to say her farewells to her hostess.

Thayer went with her to her own door. Neither of them spoke until they stood on the steps; then Thayer cleared his throat, but even then his voice was husky.

“It may not be as bad as you think, Miss Dane,” he said slowly.

As if with a physical effort, she raised her eyes to his.

“Perhaps not,” she assented; “but I can think of nothing worse.”

It took Thayer two weeks to gather together his courage to see her again. He too had been shaken by the events of the evening. His Slav blood, kindled by the Dvorak dance, fired by his anger for Arlt, had blazed up into a fury of scorn and hatred against the man who would so allow his own weakness to stab another’s strength. Lorimer, in Bobby Dane’s cab and under the lash of Bobby’s energetic tongue, was out of Thayer’s way; but, as Thayer stood looking down at the face, whiter than the fluffy white fur of her cloak, he had felt a momentary longing to take Beatrix into his arms and, holding her there, to protect her from Lorimer and from the danger that was threatening her whole happiness. The moment passed and with it the longing; but, unknown to himself, it had done its work. It had broken out the beginning of a new channel; it had prepared the way for a new trend of thought.

Bobby Dane told him what had actually passed between himself and Lorimer on the way home, what had probably occurred, the next day, between Lorimer and Beatrix. Thayer waited before calling until he hoped the memory of what had passed was so remote that neither he nor Beatrix would think of it again. Nevertheless, though Beatrix was surrounded by callers and upon her guard, the eyes of both drooped before the sudden consciousness of having faced a crisis side by side.

According to their annual custom, the Danes went to their cottage at Monomoy, the first of July, and Lorimer took up his quarters at the hotel, less than a mile away. Two weeks later, Thayer and Arlt joined him there. Lorimer had been urgent for Thayer’s coming, and Thayer, upon thinking the matter over, could see no valid reason for refusal. Miss Gannion was on the way to Alaska, that summer, and, next to her, the Danes were the closest friends he had made during his first season in New York. It was only natural that he should arrange his plans in order to be near them. Moreover, the idle life on the island sounded attractive, and he was fully aware of the fact that his constant companionship would be a strong hold upon Lorimer. All in all, he decided to go.

He took Arlt with him, on the plea of requiring an accompanist for the new songs he was studying. The boy needed the change. The stress of New York life was wearing upon him; the consciousness of comparative failure had disheartened him. He needed the tonic of sea air and of idleness and of contact with inartistic, care-free humanity. Furthermore, Thayer felt that he himself might need the tonic of the simple-hearted affection of the young German. The world about him was too complex. There were days when the most conventional of incidents seemed weighted with a hidden meaning, burdened with a consciousness of their own future import.

The summer days passed swiftly and with a certain monotony. During the mornings while Thayer was practising, Lorimer and Beatrix idled away the hours together. Later in the day, Thayer always appeared at Monomoy, sometimes with Lorimer, sometimes alone. Occasionally Beatrix forsook them both, and went off for long walks with Arlt or floated lazily about the harbor with him, leaving her mother to entertain the young men with garrulous recollections of her own childhood.

One subject was forever sealed between Beatrix and Thayer, to one evening’s events they neither of them ever alluded. Now and then, at some careless turn of the conversation, one or the other of them would stealthily raise his eyes to find the other furtively watching him; and their eyes would drop apart again swiftly. It was obvious to Thayer that Beatrix was carrying a heavy care, that summer. If Lorimer were tardy in appearing, she was absent and restless; if he came upon her suddenly, she started; if he talked or laughed more than usual, she invented an excuse to take him away from the group, apart from the general conversation. Occasionally, it was evident to Thayer that she was trying to take him, himself, off his guard, seeking to make him betray himself, in case he was sharing in her watchfulness. Upon such occasions, Thayer’s mental armor became as impenetrable as a corselet of steel. If he were keeping guard over Lorimer, amusing him and circumventing him in a thousand different ways, it was not only for Lorimer’s sake, but for that of Beatrix as well, and it was imperative that Beatrix should never know. The day had passed forever when he could look into Miss Gannion’s clear eyes and declare with perfect truthfulness that Beatrix was nothing in the world to him. He admitted this to himself; he also admitted that there are an infinite number of gradations between the opposite poles, nothing and something. There was no especial need of deciding which one of them marked his present status.

This Monday afternoon was the first time he had seen Beatrix since early September. He had left the others at Monomoy and, in company with Arlt, had gone back to the city to put himself in training for some autumn festivals at which he had been engaged to sing. By the time Beatrix was back in town once more, he had started upon what was destined to be a triumphal progress through New England. To some men, the mere professional success would have been enough in itself; but Thayer was of too large calibre to find a steady diet of applause and adjectives, both in the superlative degree of comparison, either a satisfactory or a stimulating meal. Often and often, as he bowed across the footlights preparatory to shouldering and lugging off his ponderous wreath of laurels, he would have given all the evening’s triumph for the sake of one quiet hour upon the Monomoy beach.

The evening before had been the climax of his empty successes. It had been Boston’s first oratorio of the season, and the wreath had been an unusually ponderous one. It had met him promptly at the end of his first number, and it had impressed him as a curious bit of irony, following as it did upon the closing phrases of Spe modo Vivitur. Were his crowns to be only the thornless, characterless ones that went with his profession? He bowed low, nevertheless, before the storm of applause, set up his trophy against the steadiest of the music racks of the second violins, and lost himself so completely in wondering how Lorimer was holding out without him that he went through his part in the quartette, three numbers later, in perfect unconsciousness of the hostile glances which the soprano had been casting at him during the Est tibi Laurea. Her flowers had been carnations, and only two dozen of them, at that.

The next afternoon, Thayer found himself in the familiar room, with Beatrix’s hand in his own.

“Only ten weeks, measured by time,” he answered her greeting; “but it seems half a decade since we were killing time on the beach at Monomoy.”

“Killing crabs, you would better say,” she returned, with a smile. “I think you and Sidney must have exterminated the race for all time.”

“Can you destroy the future for a race that habitually goes backwards?” he questioned, with a boyish gayety which she had never seen in him before. “How is Lorimer?”

No one else but Thayer would have noted the slight hesitation that punctuated her reply.

“He is well.”

Thayer’s momentary gayety left him, and he glanced at her sharply.

“And you?” he asked.

“I am always in rude health, just now the better for having you invade my loneliness. Do you still take only one lump?” Her tone was perfectly noncommittal.

“Only one. How does it happen that I have the good luck to find you alone?”

“Everybody is at Mrs. Stanley’s. She has captured a new lion, and has bidden the world to come and inspect her prey.”

Thayer laughed.

“What is he, this time?”

“Not he at all; it is a full-fledged Japanese princess whose husband does lectures on some sort of theosophy before all the universities. Your lustre is totally eclipsed by this new comet.” There was a short silence; then Beatrix added inconsequently, “We all of us have been so delighted at your success, Mr. Thayer.”

He did not take the trouble to discount the fact; but merely asked,

“How did you know about it?”

“We have followed you in the papers. Bobby had some, and I think Sidney must have bought tons of them. He even talked of subscribing to a clipping bureau. He has read them aloud to us, every night; and we all have tried to act as if it were nothing so very unusual to have one of our friends winning laurels by the wholesale.”

“They were very concrete laurels, too, Miss Dane,” he returned indifferently, though his face had lighted at her eager accent. “Some of the wreaths must have been four feet across, and I invariably tripped over the ribbons, when I carried them off the stage. I did wish they would furnish a dray; garlands are horribly in the way in a carriage.”

“And then what became of them?”

Thayer shrugged his shoulders.

“Ask the chambermaids along the route. I don’t mean to be unappreciative; but not even the most trusting of publics could expect me to bear my trophies away in my arms, next morning. I came to wish I could ship them back to the florist, to be presented to some other baritone, the next night.”

“But you enjoyed the trip?”

“After a fashion. I enjoyed the summer more, though.”

“There is a certain satisfaction in dropping off the social harness now and then, and we were comparatively primitive at Monomoy,” she assented. “The whole summer would have been worth while, just for the sake of seeing Mr. Arlt enjoy it. Has he come back yet?”

“Yes, two days ago. The trip has meant a good deal to him, and already he is engaged for two festivals in the spring. I am hoping that a taste of success will give him more self-reliance. He needs it, if ever he is to impose himself upon the dear public. Even the critics are prone to take a man at his own valuation, and one of the best American musicians is working in a corner, to-day, because he finds it a good deal more interesting to work towards future successes than to exploit his past ones in the eyes of the world.”

Beatrix smiled, half in assent, half in amusement at his sudden energy.

“Mr. Arlt will succeed in time; he is only a boy yet. But, with genius and energy and his real love for his art, there can be no doubt of his future.”

“That is as fate may decree,” Thayer answered.

“Or Providence,” she corrected him.

He shook his head.

“Miss Dane, the more I know of life, I am learning to write fate in capitals, and to spell Providence with a little p. Things are pretty well cut out for us.”

She glanced at him with sudden intentness.

“Then I hope the scissors are sharp, and that Moira carries a steady hand. We have to put up with our own indécisions; those of other people are maddening.”

“Doesn’t that depend upon what the decision finally proves to be?” he asked.

Her eyes had gone back to the fire, and her face was very grave.

“No; I would rather know where I am going. Anything is better than drifting; it is a comfort to look steadily forward to the best or to the worst.” Suddenly she roused herself. “Mr. Thayer, do you realize that it is two months since I have heard you sing?”

He roused himself quite as suddenly. In the slight pause which had broken her speech, he had been making a swift, but futile effort to chart the future. He knew that Lorimer was drifting carelessly, thoughtlessly; he also knew that Beatrix was allowing herself to drift idly in his wake. And how about himself? And would they all make the same port in the end? If not, where would the diverging currents be waiting for them?

His brain was working intently; but his voice was quite conventional, as he rose.

“I hoped you would ask me. After a month or two of singing to strangers, I begin to feel the need of something a little more personal. Will you have the new songs, or the old?”

“The old, of course,” she answered unhesitatingly.

He improvised for a moment; then he began to sing,

“The hours I spent with thee, dear heart,
Are as a string of pearls to me.
I count them over one by ”

Abruptly he stopped singing and struck a dozen resonant major chords.

“What a disgustingly sentimental thing that is!” he said sharply. “After our summer at Monomoy in the sea air, we need an atmosphere of ozone, not of laughing gas.”

And he played the prelude of Die Beiden Grenadieren.