In the warping shed Mercy Gale plied
her work. It was a separate building adjoining
the stores at Bridetown Mill and, like them, impregnated
with the distinctive, fat smell of flax and hemp.
Under dusty rafters and on a floor of stone the huge
warping reels stood. They were light, open frameworks
that rose from floor to ceiling and turned upon steel
rods. Hither came the full bobbins from the spinning
machines to be wound off. Two dozen of the bobbins
hung together on a flat frame or ‘creel’
and through eyes and slots the yarn ran through a ‘hake,’
which deftly crossed the strands so that they ran smoothly
and freely. The bake box rose and fell and lapped
the yarn in perfect spirals round the warping reels
as they revolved. The length of a reel of twine
varies in different places and countries; but at Bridetown,
a Dorset reel was always measured, and it represented
twenty-one thousand, six hundred yards.
Mercy Gale was chaining the warp off
the reels in great massive coils which would presently
depart to be polished and finished at Bridport.
All its multiple forms sprang from the simple yarn.
It would turn into shop and parcel twines; fishing
twines for deep sea lines and nets; and by processes
of reduplication, swell to cords and shroud laid ropes,
hawsers and mighty cables.
A little figure filled the door of
the shed and Estelle Waldron appeared. She shook
hands and greeted the worker with friendship, for
Estelle was now free of the Mill and greatly prided
herself on personally knowing everybody within them.
“Good morning, Mercy,”
she said. “I’ve come to see Nancy
Buckler.”
“Good morning, miss. I
know. She’s going to run in at dinner time
to sing you her song.”
“It’s a wonderful song,
I believe,” declared Estelle, “and very,
very old. Her grandfather taught it to her before
he died, and I want to write it down. Do you
like poetry, Mercy?”
“Can’t say as I do,”
confessed the warper. She was a fair, tall girl.
“I like novels,” she added. “I
love stories, but I haven’t got much use for
rhymes.”
“Stories about what?”
asked Estelle. “I have a sort of an idea
to start a library, if I can persuade my father to
let me. I believe I could get some books from
friends to make a beginning.”
“Stories about adventure,”
declared Mercy. “Most of the girls like
love stories; but I don’t care so much about
them. I like stories where big things happen
in history.”
“So do I; and then you know
you’re reading about what really did happen
and about great people who really lived. I think
I can lend you some stories like that.”
Mercy thanked her and Estelle fell
silent considering which book from her limited collection
would best meet the other’s demand. Herself
she did not read many novels, but loved her books
about plants and her poets. Poetry was precious
food to her, and Mr. Churchouse, who also appreciated
it, had led her to his special favourites. For
the present, therefore, Estelle was content with Longfellow
and Cowper and Wordsworth. The more dazzling
light of Keats and Shelley and Swinburne had yet to
dawn for her.
Nancy Buckler arrived presently to
sing her song. Her looks did not belie Nancy.
She was sharp of countenance, with thin cheeks and
a prominent nose. Her voice, too, had a pinch
of asperity about it. By nature she was critical
of her fellow creatures. No man had desired her,
and the fact soured her a little and led to a general
contempt of the sex.
She smiled for Estelle, however, because
the ingenuous child had won her friendship.
“Good morning, miss,”
she said. “If you’ve got a pencil
and paper, you can take down the words.”
“But sing them first,”
begged the listener. “I want to hear you
sing them to the old tune, because I expect the tune
is as old as the words, Nancy.”
“It’s a funny old tune
for certain. I can’t sing it like grandfather
did, for all his age. He croaked it like a machine
running, and that seemed the proper way. But
I’ve not got much of a voice.”
“’Tis loud enough, anyway,”
said Mercy, “and that’s a virtue.”
“Yes, you can hear what I’m
saying,” admitted Miss Buckler, then she sang
her song.
“When a twister, a twisting, will twist him
a twist,
With the twisting his twist, he the twine doth entwist;
But if one of the twines of the twist doth untwist,
The twine that untwisteth, untwisteth the twist,
Untwisting the twine that entwineth between,
He twists with his twister the two in a twine.
Then, twice having twisted the twines of his twine,
He twisteth the twine he had twined in twine.
The twain, that in twining before in the twine,
As twines were entwisted, he now doth untwine,
’Twixt the twain intertwisting a twine more
between.”
Nancy gave her remarkable performance
in a clear, thin treble. It was a monotonous
melody, but suited the words very well. She sang
slowly and her face and voice exhibited neither light
nor shade. Yet her method suited the words in
their exceedingly unemotional appeal.
“It’s the most curious
song I ever heard,” cried Estelle, “and
you sing it perfectly, because I heard every word.”
Then she brought out pencil and paper,
sat in the deep alcove of the window and transcribed
Nancy’s verse.
“You must sing that to my father
next time you come up,” she said. “It’s
like no other song in the world, I’m sure.”
Sally Groves came in. She had
brought Estelle the seed of a flower from her garden.
“I put it by for you, Miss Waldron,”
said the big woman, “because you said you liked
it in the fall.”
They talked together while Mercy Gale
doffed her overall and woollen bonnet.
“Tell me,” said Estelle,
“of a very good sort of wedding present for Mr.
Ironsyde, when he marries Sabina next week.”
“A new temper, I should think,” suggested
Nancy.
“He can’t help being rather
in a temper,” explained Estelle, “because
they can’t find a house.”
“Sabina can find plenty,”
answered the spinner. “It’s him that’s
so hard to please.”
Sally Groves strove to curb Nancy’s tongue.
“You mind your own business,”
she said. “Mr. Ironsyde wants everything
just so, and why not?”
“Because it ain’t a time
to be messing about, I should think,” retorted
Nancy. “And it’s for the woman to
be considered, not him.”
Then Estelle, in all innocence, asked
a shattering question.
“Is it true Sabina is going
to have a baby? One or two girls in the mill
told me she was, but I asked my father, and he seemed
to be annoyed and said, of course not. But I
hope it’s true it would be lovely
for Sabina to have a baby to play with.”
“So it would then,” declared
Sally Groves, “but I shouldn’t tell nothing
about it for the present, miss.”
“Least said, soonest mended,” said Mercy
Gale.
“It’s like this,”
explained Sally Groves with clumsy goodness: “they’ll
want to keep it for a surprise, miss, and I dare say
they’d be terrible disappointed if they thought
anybody knew anything about it yet.”
Nancy Buckler laughed.
“I reckon they would,” she said.
“So don’t you name it,
miss,” continued Sally. “Don’t
you name the word yet awhile.”
Estelle nodded.
“I won’t then,”
she promised. “I know how sad it is, if
you’ve got a great secret, to find other people
know it before you want them to.”
“Beastly sad,” said Nancy,
as she went her way, and the child looked after her
puzzled.
“I believe Nancy’s jealous of Sabina,”
she said.
Then it was Sally Groves who laughed
and her merriment shook the billows of her mighty
person.
Estelle found herself somewhat depressed
as she went home. Not so much the words as the
general spirit of these comments chilled her.
After luncheon she visited her father’s study
and talked to him while he smoked.
“What perfectly beautiful thing
can I get for Ray and Sabina for a wedding present?”
He cleaned his pipe with one of the
crow’s feathers Estelle was used to collect
for him. They stood in vases on the mantel-shelf.
“It’s a puzzler,” confessed Arthur
Waldron.
“D’you think Ray has grown bad-tempered,
father?”
“Do you?”
“No, I’m sure I don’t.
He is a little different, but that’s because
he’s going to be married. No doubt people
do get a little different, then. But Nancy Buckler
at the Mill said she thought the best wedding present
for him would be a new temper.”
“That’s the sort of insolent
things people say, I suppose, behind his back.
It’s all very unfortunate in my opinion, Estelle.”
“It’s frightfully unfortunate
Ray leaving us, because, after he’s married,
he must have a house of his own; but it isn’t
unfortunate his marrying Sabina, I’m sure.”
“I’m not sure at all,”
confessed her father. His opinion always carried
the greatest weight, and she was so much concerned
at this announcement that Arthur felt sorry he had
spoken.
“You see, Estelle how
can I explain? I think Ray in rather too young
to marry.”
“He’s well over twenty.”
“Yes, but he’s young for
his age, and the things that he is keen about are
not the things that a girl is keen about. I doubt
if he will make Sabina happy.”
“He will if he likes, and I’m
sure he will like. He can always make me happy,
so, of course, he can make Sabina. He’s
really tremendously clever and knows all sorts of
things. Oh, don’t think it’s going
to be sad, father. I’m sure they’re
both much too wise to do anything that’s going
to be sad. Because if Ray ”
She stopped, for Raymond himself came
in. He had left early that morning to seek a
house with Sabina.
“What luck?” said Waldron.
“We’ve found something
that’ll do, I think. Two miles out towards
Chidcock. A garden and a decent paddock and a
stable. But he’ll have to spend some money
on the stable. There’s a doubt if he will the
landlord, I mean. Sabina likes the house, so I
hope it will be all right.”
Waldron nodded.
“If it’s Thornton, the
horse-dealer, he’ll do what you want. He’s
got houses up there.”
“It isn’t. I haven’t seen the
man yet.”
“Well,” said his friend,
“I don’t know what the deuce Estelle and
I are going to do without you. We shall miss
you abominably.”
“What shall I do without you?
That’s more to the point. You’ve got
each other for pals I ”
He broke off and Arthur filled the pregnant pause.
“Look here Estelle
wants to give you a wedding present, old man; and so
do I. And as we haven’t the remotest idea what
would be the likeliest thing, don’t stand on
ceremony, but tell us.”
“I don’t want anything except
to know I shall always be welcome when I drop in.”
“We needn’t tell you that.”
“But you must want thousands
of things,” declared Estelle, “everybody
does when they’re married. And if you don’t,
I’m sure Sabina does knives and forks
and silver tea kettles and pictures for the walls.”
“Married people don’t
want pictures, Estelle; they never look at anything
but one another.”
She laughed.
“But the poor walls want pictures
if you don’t. I believe the walls wouldn’t
feel comfortable without pictures. Besides you
and Sabina can’t sit and look at each other
all day.”
“What about a nice little handy
‘jingle’ for her to trundle about in?”
asked Waldron.
“As I can’t pull it, old
chap, it wouldn’t be much good. I’m
keeping the hunter; but I shan’t be able to
keep anything else if that.”
“How would it be if you sold
the hunter and got a nice everyday sort of horse that
you could ride, or that Sabina could drive?”
asked Estelle.
“No,” said Waldron firmly.
“He doesn’t sell his hunter or his guns.
These things stand for a link with the outer world
and represent sport, which is quite as important as
marriage in the general scheme.”
“I thought to chuck all that
and take up golf,” said Raymond. “There’s
a lot in golf they tell me.”
But Waldron shook his head.
“Golf’s all right,”
he admitted, “and a great game. I’m
going to take it up myself, and I’m glad it’s
coming in, because it will add to the usefulness of
a lot of us men who have to fall out of cricket.
There’s a great future for golf, I believe.
But no golf for you yet. You won’t run
any more and you’ll drop out of football, as
only ‘pros.’ play much after marriage.
But you must shoot as much as possible, and hunt a
bit, and play cricket still.”
This comforting programme soothed Raymond.
“That’s all right, but
I’ve got to find work. I was just beginning
to feel keen on work; but now flit, Estelle,
my duck. I want to have a yarn with father.”
The girl departed.
“Do let it be a ‘jingle,’ Ray,”
she begged, and then was gone.
“It’s my damned brother,” went on
Raymond.
“He’ll come round and
ask you to go back, as soon as you’re fixed up
and everything’s all right.”
“Everything won’t be all
right. Everything’s confoundedly wrong.
Think what it is for a proud man to be at the mercy
of an aunt, and to look to her for his keep.
If anything could make me sick of the whole show, it’s
that.”
“I shouldn’t feel it so.
She’s keen on you, and keen on Sabina; and she
knows you can’t live upon air. You may be
sure also she knows that it won’t last.
Daniel will come round.”
“And if he does? It’s all the same taking
his money.”
“You won’t be taking it; you’ll
be earning it.”
“I hate him, like hell, and
I hate the thought of working under him all my life.”
“You won’t be under him.
You’ve often said the time was coming when you’d
wipe Daniel’s eye and show you were the moving
spirit of the Mill. Well now, when you go back,
you must work double tides to do it.”
“He may not take me back, and
for many things I’d sooner he didn’t.
We should never be the same to one another after that
row. For two pins, even now, I’d make a
bolt, Arthur, and disappear altogether and go abroad
and carve out my own way.”
“Don’t talk rot. You can’t
do that.”
But Waldron, in spite of his advice
and sanguine prophecies, hid a grave doubt at heart
whether, so far as Raymond’s own future was concerned,
such a course might not be the wisest. He felt
confident, however, that the younger man would keep
his engagements. Raymond had plenty of pluck
and did not lack for a heart, so far as Waldron knew.
Had Sabina been no more than engaged, he must strongly
have urged Raymond to drop her and endure the harsh
criticism that would have followed: for an engagement
broken appeared a lesser evil than an unhappy mating;
but since the position was complicated, he could not
feel so and stoutly upheld the marriage on principle,
while extremely doubtful of its practical outcome.
They talked for two hours to no purpose
and then Estelle called them to tea.